Film Anecdote / Film Poem - 35mm
Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
303FAB | Z | 3 | Czech | summer |
- Subject guarantor:
- Karel VACHEK
- Name of lecturer(s):
- Rudolf ADLER, Miroslav JANEK, Alice RŮŽIČKOVÁ, Martin ŘEZNÍČEK, Helena TŘEŠTÍKOVÁ, Karel VACHEK
- Learning outcomes of the course unit:
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To introduce students to the significant art concept of film.
- Mode of study:
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A film anecdote or film poem with clear creative intentions. Preparations take place in the Creative Preparations for the 35mm Exercise module at whose end a detailed storyboard will be drawn. The exercise will be edited on a 35mm editing table.
- Prerequisites and co-requisites:
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Requirements: Preparations for creating a film poem are based on collaboration with the famous Czech painter M. Rittstein, who, in several shor lectures corrects the views of the students regarding costuming and shot composition in the „Fine Arts Preparations“. New experience is to be use in intensive creative effects of one's short film.
- Course contents:
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Group exercise, Documentary dept., 3rd year of Bachelors study:
A film anecdote or film poem with clear creative intentions. Preparations take place in the Creative Preparations for the 35mm Exercise module at whose end a detailed storyboard will be drawn. The exercise will be edited on a 35mm editing table.
Exterior
EXTERIOR
Shooting Technology: 35mm, contact
Pure footage: 3-5 minutes
Number of shooting days: 2 days
Material: 360m color KODAK 35mm, daily work
Sound material: 1x DAT 65, 300m mg. 35mm, 1x S-VHS
Image technology: ARRI III, ARRI III C or MOVIECAM (without lighting)
Sound technology: DAT Fostex PD-4 or Nagra IV 2 days
Editing: 8 frequency editing 35mm
Sound post-production: sound studio FAMU - transcript of daily work, selection of music, background or recorded commentary 1 frequency; preparations and setting mixing track - digital sound editing 1 frequency; digital mixing facility 1 frequency; transfer of mix to 35mm mg; synchronization with 35mm image 1 hour.
Transfer: 35mm negative onto BETACAM DIGITAL (numbered in the presence of a cameraman), 35mm two track product - DV cam, DV cam - VHS and DVD, maintenance of the S-VHS with TC
Archiving: 35mm two track (or also kk) - NFA, DV cam - Studio FAMU, VHS and DVD - Documentary Dept. video library.
- Recommended or required reading:
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It would be good if students spend some time with images in Graphic Arts publications and consider their composition.
- Assessment methods and criteria:
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Deadline and grading: Summer semester, submitted to the Documentary Dept. by Sept. 5th.
Script deadline: Winter semester (by the 1st of November)
Implementation deadline: Nov. - Jan.
EXTERIOR
Shooting equipment: 35mm, contact
Pure footage: 3-5 min.
Total shooting days: 2
Material: 360m colo KODAK 35mm, daily work
Sound material: 1x DAT 65, 300 m mg. 35mm, 1 x S-VHS
Image equipment: ARRI III, ARRI III C or MOVIECAM (without lighting)
Sound equipment: DAT Fostex PD-4 nebo Nagra IV 2 days
Editing: 8 frequency editing table 35mm
Sound post-produkce: sound. studio FAMU - daily work transfer, music selection, background noise or commentary recording 1 frequency; preparation and setting of mixing stops - digital sound editing 1 frequence; digital mixing table: table 1 frequency; mix transfer to 35mm mg; synchronization with image 35mm 1 hour
Transfers: negative 35mm toBETACAM DIGITAL (timing and cameraman presence), 35mm two-track results - DV cam, DV cam - VHS and DVD, server to S-VHS with TC
Archiving: 35mm two-track (or also KK) - NFA, DV camera - Studio FAMU, VHS and DVD - KDT video library.
- Course web page:
- Note:
- Further information:
- No schedule has been prepared for this course
- The subject is a part of the following study plans:
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- Documentary Film - Bachelor (qualification subject - practical seminar)