Colorgrading Workshop 2
Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
---|---|---|---|---|---|
304EGW2 | Z | 2 | 3/T | anglicky | letní |
- Garant předmětu:
- Marek JÍCHA
- Jméno vyučujícího (jména vyučujících):
- Marek JÍCHA
- Výsledky učení dané vzdělávací složky:
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The students task is to attend all lectures and classes and correct alone their film exercise. Students are, in this manner, to learn how to use the post-production potential of colorgrading on the FinalCutPro color corrector.
- Forma studia:
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Theoretical lectures appended with practical examples from teacher´s archive. Students have the opportunity to be acquainted with professional coloristic experience. Later they use gained knowledge on their school practical assignments under the teacher´s supervision.
- Předpoklady a další požadavky:
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Previous knowledge of basics of Colorimetry and Sensitometry. Students are familiar with Adobe software such as Photoshop and FinalCut Pro.
- Obsah kurzu:
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The course is focused on theory and practice testing of issues in post-production processing and coloring an image with a color corrector based on FinalCutPro 2K/4K, FCP2K, FCP4K, the technology and variations in corrections in SDTV, HDTV, DC2K, DC4K.
The instructor has up to date experience with these technologies for finalization and colorgrading images of professional feature films on 35mm laser copied to 35mm from DVCAM sources has prepared instructional examples from these projects. Instruction is supplemented by examples from those films from 35mm copies for the cinema screen.
Course Description: Seminar will focus on the work of Cinematographer as a leading artistic Director of Photography in process of Postproduction to finish and control final look of Picture. Students will focus on the work with postproduction grading system Color Corrector using software FinalCut Pro. This program contains possibilities for improving or totally changing the look of your DV, HD or Film project. Director of Photography Marek Jicha will share his recent experiences making feature 35mm films with different technologies.
Preliminary Outline for Course Meetings:
Color Theory, Basics of Colorimetrics Rules
Historical Review of Color systems
Aristoteles, Newton, Goethe, Maxwell, Itten, CIE and many others.
Color Combinations
Color Contrasts
Spirits of Colors
Color Design Rules
Color Dramaturgy
Function of Colors
Relation between Colors
Digital Telecine versus Film Scaner
Proffesional Color Correctors versus FinaCut Pro
Color Temperature Workflow versus Calibrated Monitor
Digital Intermediat, Useful Softwares
Filters at Camera, Filters at Color Corrector
Finalization of Picture design, making relaease prints.
- Doporučená nebo povinná literatura:
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http://fduarts.org/VPS/manuals/finalcut.pdf
http://www.photoshopbook.net/cesky.html
http://manuals.info.apple.com/en/Shake_4_Tutorials.pdf
Johan Volfgang Goethe: Theory of Colors
Johannes Itten ? The Art of Color
Ueli Seiler-Hugova: Colors
Vasilij Kandinski - Concerning the Spiritual in Art
- Hodnoticí metody a kritéria:
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Credits are granted according to students attendance and after submitting students own colorgrading task.
- Webová stránka předmětu:
- Poznámka:
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- Rozvrh na zimní semestr 2016/2017:
- Rozvrh zatím není připraven
- Rozvrh na letní semestr 2016/2017:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Po Út St Čt Pá Datum Den Čas Vyučující Místo Poznámky Č. paralelky St 13:10–15:35 Marek JÍCHA Laboratoř dig. kinematogr.
Lažanský palácparalelka 1 - Předmět je součástí následujících studijních plánů:
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- Cinematography (oborový předmět – praktické cvičení)