Seminar on Theory of Photography 3
Předmět není vypsán Nerozvrhuje se
Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
---|---|---|---|---|---|
307ES3 | Z | 1 | 13/S | anglicky | zimní |
- Garant předmětu:
- Jméno vyučujícího (jména vyučujících):
- Výsledky učení dané vzdělávací složky:
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This seminar is aimed at a deep analysis of the theory of photography.
- Forma studia:
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Students shall be asked to prepare papers on various texts (see lit.) and also on various exhibitions (according to the given possibilities). The papers request deep-going research. Literature used must be stated. They will present them in front of the other students and thus subdue these essays to their critical discussion.
[Each student has to give one presentation for one semester.]
- Předpoklady a další požadavky:
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none
- Obsah kurzu:
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Description:
It is going more into deep but methodologically and thematically it is very much the sma as Theory of photograpohy I in BA study. Reading of theoretical literature on photography (and culture in general) and its critical judgement is demanded. It connects photography with semiotics and interculturual disciplines.
Assignments:
Students shall be asked to prepare papers on various texts (see lit.) and also on various exhibitions (according to the given possibilities). The papers request deep-going research. Literature used must be stated. They will present them in front of the other students and thus subdue these essays to their critical discussion.
[Each student has to give one presentation for one semester.]
- Doporučená nebo povinná literatura:
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Adorno Theodor: The Culture Industry, Routledge, London 2001
Barrett Terry: Criticizing Photographs: An Introduction to Understanding Images
Barthes Rola nd: Camera Lucida, any edition
Barthes Roland: Image, Music Text, Hill and Wang, NY 1978
Benjamin Walter: Work in the Time of Mechanical Reproduction any edition
Bourdieu Pierre: Photography: A Middle-brow Art, Stanford University Press, Stanford 1990
Victor Burgin: The End of Art Theory (Communications & Culture)
Burgin Victor (ed.): Thinking Photography, MacMillan Press , London 1982
Burgin Victor: In/Different Spaces, University of California Press Berkley and Los Angeles 1996
Eco, Umberto: History of Beauty, any edition
Eco, Umberto: Opened Work, any edition
Carroll Noel: A Philosophy of Mass Art
Flusser Vilém: Towards a Philosophy of Photography, European Photography, Göttingen 1984
McLuhan Marshal: Understanding Media, McGraw-Hill, New York 1965
Squires Carol: OverExpeosed, The New Press, NY 1999
Sontag Susan: On Photography, any edition after 1977
Sontag, Susan: Regardong the Pain of the Ohers
Tagg: John The Burden of Representation: Essays on Photographies and Histories
Wells, Liz (ed.) The Photography Reader, Routledge, London 2003
- Hodnoticí metody a kritéria:
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Grading:
Participation in discussions: 45%
Presentation of essays in front of other students: 45%
Participation in course 10% (however not less than 60%)
- Webová stránka předmětu:
- Poznámka:
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none
- Další informace:
- Pro tento předmět se rozvrh nepřipravuje
- Předmět je součástí následujících studijních plánů: