Survey of the History of Dance and Ballet 2
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
107PDT2 | ZK | 4 | 2+2/T | Czech | summer |
- Subject guarantor:
- Helena KAZÁROVÁ
- Name of lecturer(s):
- Helena KAZÁROVÁ
- Learning outcomes of the course unit:
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To acquire an awareness of the development of the role of dance culture from the Renaissance to the 19th century. To understand the development line of dance for an audience to the first efforts in ballet, as an independent theatre type. To learn the development of „artistic“ choreography tendencies and their creators in the context of European theatre. In class, to understand the manner that style characteristics of independent periods are reflected in dance.
- Mode of study:
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Lecture, seminar
- Prerequisites and co-requisites:
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Completion of „History of Dance and Ballet 1.“ A bearing in European history at the middle-school level.
- Course contents:
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Changes in the court ballet of Ludwig the XIII. Dance culture in the period of Louis XIV - the height and decline of court ballet in France. Development of stage dance in professional theatre of the high Baroque: comédie-ballet, tragédie lyrique, opéra ballet, ballet pantomime, commedia dell'arte. The invention of a graphic manner for recording dance and its impact. Stage dance in the 1st half of the 18th century, the first ballet without signing and with a narrative (J. Weaver, M. Salle, etc.). Development of historical ballets in Classicism (F. Hilverding, G. Angiolini, J.G. Noverre). Celebrated dance performers (M. Camargo, M. Sallé, M. Guimard, G. and A. Vestris, etc.). The characteristics of Pre-Romance ballet, celebrated choreographers and ballet masters (S. Vigano; C.L. Didelot, C. Blasis). The development of dance technique. Romantic ballet, its characteristic features. Creators and performers in Romantic ballet (F. Taglioni, M. Taglioni, J. Perrot, C. Grisi, A. Saint-Léon, F. Cerrito, F. Elssler, A. Bournonville, L. Grahn, and others.). Ballets - féeries. Post-Romantic ballet in Russia, the creations of M. Petipa and L. Ivanov.
- Recommended or required reading:
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Noverre, Jean Georges: Listy o tanci a baletech. SPN Praha 1982
Brodská, Božena: Dějiny ruského baletu, SPN Praha 1984
Rameau, Pierre: The Dancing Master. C.W. Beaumont, London 1941
Kazárová, Helena: Choreografie a choreograf. Styl a ornament. In: Taneční listy č. 5/2001, s. 16
Kazárová, Helena: Ohlédnutí za vývojem klasického tance. In: Ozvěny tance, AMU Praha 1998, s. 7-21
Brodská, Božena: Rokoko a klasicismus. In: Taneční listy 6/1999, s. 14
Kazárová, Helena: Baroko plné tance. In: Taneční listy 5/1999, s.14
Jůzl, Miloš. a kol.: Dějiny umělecké kultury II. SPN Praha, 1996
Kazárová, Helena: Barokní taneční formy. AMU 2005
Kazárová, Helena: Barokní balet ve střední Evropě. AMU 2008
Brodská, Božena: Romantický balet. Skripta AMU, SPN Praha 1981
Rebling, Eberhard, ed.: Marius Petipa. Meister des klassischren Balletts. Berlin 1975
Brodská, Božena - Vašut, Vladimír: Svět tance a baletu. AMU 2004
- Assessment methods and criteria:
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Participation in lectures and classes. Completion of the final tests. Oral exam.
The evalulation is comprised of 25% for participation in lectures and classes and 25% test results and 50% for the oral exam.
- Course web page:
- Výuka
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podporována
e-learningovou
formou.
http://moodle.amu.cz/course/view.php?id=314 - Note:
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none
- Schedule for winter semester 2016/2017:
- The schedule has not yet been prepared
- Schedule for summer semester 2016/2017:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
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- Choreography (Bc) (next compulsory subject)
- Dance Pedagogy (Bc) (next compulsory subject)
- Dance Theory (Bc) (next compulsory subject)