Theory Non-Verbal Theatre and preparation of the diploma task 3
Code | Completion | Credits | Range | Semester |
---|---|---|---|---|
109TND3 | Z | 3 | 2/T | winter |
- Subject guarantor:
- Adam HALAŠ
- Name of lecturer(s):
- Adam HALAŠ, Roman HORÁK, Jana SOPROVÁ
- Learning outcomes of the course unit:
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The study aim is to train the student:
1) multi-faceted familiarity with historical changes in the field in relation to the style development of the arts and period societal processes;
2) at the higher master's level versing of the development of thought on this type of art;
3) enrichment of the educational background through impulses from contemporary industry literature and belle lettres, contemporary theatre and specialized creations;
4) competent independent analysis of a work of the genre in the context of theatre, respectively dance arts.
- Mode of study:
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After bachelor's study the focus of instruction in lectures whose content is demonstrated, if possible, with visual and text material, archive video and DVD recordings. Students are required to investigate historical procedures or thought resonating in contemporary arts currents. The subsequent master's study prefers discussion forms over theory topics, selected by the instructor and over important arts achievements provided through audio-visual recordings. The individual interests or specialization is considered in selection.
- Prerequisites and co-requisites:
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Considering the nature of mime theatre as a inter-type genre, a good bearing in the history and modernity of theatre or dance arts is presumed. If not, then, at least, one other concurrent course should be registered, for example, Selected Chapters in the History of Theatre or History of Dance.
- Course contents:
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History and theory in Mime theatre is understood at the fundamental mainstay of the student's education.
1) History of Mime theatre, knowledge of its basic concept
2) Process of forming opinions of mime arts over the course of time.
3) Appellation and definition of issues in mime theatre
4) Analysis of individual artistic acts
- Recommended or required reading:
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Artaud,A.: Divadlo a jeho dvojník, Praha 1994
Bakošová-Hlavenková,Z.: Pantomima, Bratislava 1988
Barrault,J.-L.: Som divadelník, Bratislava 1966
Barba,E.,Savarese,N.: Skryté umění herce, Praha 2000
Braun, K.: Druhá reforma divadla, Praha 1993
Craig,E.G.: O divadelním umění, Praha 2006
Decroux, E.: Parole sur le mime, Paris, nebo Words on Mime, Mimejournal, USA, 1985
Engel, J.J.: Ideen zur eine Mimik, Divadelní revue 1992, č.2
Fialka, L.: Knoflík, Praha 1972
Grebeníčková,R.: Tematizace těla a tělesného pohybu, Praha 1983
Goff, Le: Tělo ve středověké kultuře, Praha 2006
Grotowski,J.:Divadlo a rituál, Praha 1999
Hybner, B.: Clownovo pozdní blues,Jihlava 2002
Hyvnar,J.: Francouzská divadelní reforma, Praha 1997
Hyvnar,J.: Herec v moderním divadle, Praha 2000
Kovalčuk,J.: Znaky autorského divadla in:Přednášky o umění, Brno 2007, s.33.
Kovalčuk,J.: Od tématu ke scénáři, Brno 1985
Kratochvíl,K.: Komedie dell´arte, Praha 1987
Lecoq, J.: The Moving Body, New York,1997¨
Lukianos: O tanci, Praha 1930
Martinec: Lidské tělo, inspirace a nástroj dramatického projevu, Praha 1975
Mistrík,J.: Pohyb jako reč, Bratislava 1998
Petišková,L: Ladislav Fialka, in: Tanec ,Praha 1991
Petišková, L.: C. Turba.: Amatérská scéna 1992
Petišková,L.: Boleslav Polívka in: B.Polívka,P.Hájek: Předběžný portrét,Praha 1980
Petišková,L.: Křesadlo in: Divadla svítící do tmy (70.léta), Praha 2006
Petišková,L.: Pantomimy Charlese a Gasparda Deburaových, Divadelní revue 2005, č.4
Petišková,L.: Pantomima, klauniáda,cirkus in: Základní pojmy divadla, Praha 2000
Rémy, T.: Klauniády, Praha 1968
Scherl,A.: Pantomima v Divadle v Kotcích, in: Divadlo v Kotcích, Praha 1992
Švehla, J.: Deburau, Nemsrtelný Pierot, Praha 1967
Turba,C.: Klauni a 19.stol. , SAD č.2 ? 3, Praha 1992
Turba, C: Cirkus Alfred, Praha 2006
Vébr, V.: Příběh pantomimy, Praha 2006
Zárubová,N.: Mimika a gesta, Praha 2008
Zich, O.: Estetika dramatického umění,Praha 1930
- Assessment methods and criteria:
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During study independent reading, knowledge of important mime theatre works and participation in discussions are required. A requirement for receiving credit or exam is: completion of the semester tasks, participation in lecture and class, successfull completion of the oral exam.
- Course web page:
- Note:
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Due to the sometimes long-term interships of one or more students abroad, this course is exceptionally scheduled. Otherwise the instruction is part of expanded study in "New Circus. Beginning this year the part of the program relating to circus arts has been dropped.
- Schedule for winter semester 2016/2017:
- The schedule has not yet been prepared
- Schedule for summer semester 2016/2017:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
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- Non-Verbal Theatre (Mg) (next compulsory subject)