Scenographic Strategies in Non-traditional Spaces 2

Subject is not scheduled Not scheduled

Subject guarantor:

Name of lecturer(s):

Learning outcomes of the course unit:

The aim is to expand one's bearing in the selected intention and develop one's creative approach leading to independent artistic practice (see the textbook for more).

Mode of study:

Artist's dialogue, exercises, one's work on a project and execution. Analysis of recording examples and their presentation.

Prerequisites and co-requisites:

No requirements.

Course contents:

The study content is an interdisciplinary research of the situation of man in multi-dimensional environment, from the physical through the mental (emotional, rational and spiritual), to the social and cultural connections and interaction in an information and idea space where the protagonist is not merely a participant but also a collaborator of changes functioning on feedback principles (see textbook for more).

Study Curriculum:

(for details see the textbook)

I. series: Static image composition on a surface

1st block: Still Life (object) - observation and vision

2nd block: Portrait (subject) - expression (image)

II. series: Movement image - composition in a space

3rd block: Shape and space - external space, mental and spiritual dimensions

4th block: Figure (body) - internal (personal) space (intimacy)

III. series: Image of movement - composition in time

5th block: Object in motion (machine/robot) - mechanical rhythm

6th block: Figure in motion (gesture/dance/voice) - biological rhythm

IV series: Image of event - composition in context

7th block: Event (in an environment) - construction/deconstruction

8th block: Narrative (in society) - composition/decomposition

V. series: Presentation - medialization

9th block: Communication and context

10th block: Complex systems

VI. series: Final work - individual topic.

Recommended or required reading:

Required:

Skripta - Divadlo v netradičním prostoru, performance a site specific

Performance Art: from Futurism to the Present, RoseLee Goldberg, T & H - London

Recommended:

Performance: Live Art Since 1960, RoseLee Goldberg, Abrams - New York

Live: Art and performance, Adrian Heathfield, Tate - London

Out of Actions, Paul Schimmel, MOMA - Los Angeles

(see textbook)

Assessment methods and criteria:

Participation and initiative.

Completed etudes and exercises.

Participation in colloquia and group events.

Concept and implementation of a project.

One's activity.

(The weights of all individual criteria are reasonably assessed.)

Course web page:

Note:

Instruction schedule see: www DAMU / katedra ALD / Rozvrhy hodin

Further information:

No schedule has been prepared for this course

The subject is a part of the following study plans: