Scenographic Strategies in Non-traditional Spaces 5
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
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204NMO5 | ZK | 8 | 8/T | Czech | winter |
- Subject guarantor:
- Name of lecturer(s):
- Learning outcomes of the course unit:
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The aim is to enrich individual bearing in the selected intentions and develop ones creative approach, leading to independent artistic practice (See textbook).
- Mode of study:
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Creativity discussions, exercises, one's work on projects and implementation, analysis of recording samples and their presentation.
- Prerequisites and co-requisites:
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No requirements for registration.
- Course contents:
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The study content is an inter-discipline research of the situation of man in a multi-dimensional environment, from the physical through mental (emotional, rational and spiritual), to social and cultural connections and interaction in information and idea spaces, where the protagonist is not only a participant but, also, a co-creator of changes functioning on a feedback principle (for more see textbook).
Study Curriculum:
(for details see textbook)
Series I: Static image - composition on a surface
1st block: Still-life (object) - observation and vision
2nd block: Protrait (subject) - expression (image)
Series II: Movement of an image - composition in a space
3rd block: Shape and space - external space, mental and spiritual dimension
4th block: Figure (body) - internal (personal) space (intimacy)
Series III: Image of motion - composition in time
5th block: Object in motion (machine/robot) - mechanical rhythm
6th block: Figure in motion (gesture/dance/voice) - biological rhythm
Series IV: Image of events - composition in context
7th block: Event (in a surroundings) - construction/deconstruction
8th block: Story (in society) - komposition/decomposition
Series V: Presentation - medialization
9th block: Communication and context
10th block: Complex systems
Series VI: Final work - individual theme.
- Recommended or required reading:
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Required readings:
Textbook - Divadlo v netradičním prostoru, performance a site specific
Performance Art: from Futurism to the Present, RoseLee Goldberg, T & H - London
Recommended readings:
Performance: Live Art Since 1960, RoseLee Goldberg, Abrams - New York
Live: Art and performance, Adrian Heathfield, Tate - London
Out of Actions, Paul Schimmel, MOMA - Los Angeles
(others: see textbook)
- Assessment methods and criteria:
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Attendance and initiative.
Completed etudes and exercises.
Attendance at colloquia and group events.
Project concept and implementation.
One's own activity.
(Strength of all criteria graded proportionally.)
- Course web page:
- Note:
- Further information:
- No schedule has been prepared for this course
- The subject is a part of the following study plans: