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ACADEMY OF PERFORMING ARTS IN PRAGUE

Post-drama 2

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
207POS2 ZK 1 2/T Czech summer
Subject guarantor:
Name of lecturer(s):
Learning outcomes of the course unit:

Students are introduced to some aspects of post-drama theatre through lectures devoted to partial issues in the composition and structure of important works arranged in that theatre trend. The students learn with these works in independent study and in screenings and analyses during lectures. For students in creative studies, aside from inspiration, should contribute to an awareness of new limits and the responsibility of the artistic element of a theatre piece, particularly, dramaturgy, directing and set-design.

Mode of study:

Contact.

Prerequisites and co-requisites:

The lecture is intended for directing and dramaturgy students at all DAMU depts. and Theory and Criticism students. A requirement is the completion of the course Theatre Terminology, History of Czech Theatre and History of World Theatre I and II.

Course contents:

The aim of the lecture series and analysis classes is to, in part, orient students in the issues of „fashionable theatre post-modernity“ which includes contemporary theatre discourse, and provides analytical tools enabling for a critical approach for reviewing works and allows for the distinguishing of creative originals from conventialized „alternative“ eclectivism.

Issues:

Drama objectivity and post-dramatic subjectivism.

Chronotopic collapse of a post-dramatic piece.

Lyotard's crisis of narration and post-modern scepticism towards a story.

Drama character crisis: from the inter-subjective presentation to intra-subjective self-experience.

Distrust towards a causual nexus, synchronicity and chaos theory.

Logo and depiction. text crisis. depiction ambiguity. Performance and installation.

Story and time.

Basic works:

August Stridberg: A Dream Play

Eugene Ionesco: Exit The King

Roland Schimmelpfenig: Arabian Night

Sarah Kane: Psychsis 4.48

Tadeusz Kantor: Wielopole, Wielopole.

Andrej Tarkovskij: The Mirror

Christoph Marthaler: Murx den Europaener!

Recommended or required reading:

Basic writings:

Aristoteles: Poetika, překlad M. Mráz, Praha 2008

Zich, Otakar: Estetika dramatického umění, Praha 1968

Fischer-Lichte, Erika: Estetika performativity, Mníšek pod Brdy 2011

Petříček, Miroslav: Myšlení obrazem, Praha 2009

Lehmann, Hans Thies: Postdramatické divadlo, Bratislava 2007

Knopová, Elena: Svet kontroverznej drámy, Bratislava 2011

Lyotard, Jean Francois: O postmodernismu, Praha 1993

Prigogine, Ilja, Stengerssova, Isabella: Řád z chaosu, Praha 2001

Syřišťová, Eva: Puklý čas, Praha 2005

Assessment methods and criteria:

80% attendance, activity in class, paper and/or oral exam.

Course web page:
Note:

If less than 3 students register for the course, it may be cancelled.

Further information:
No schedule has been prepared for this course
The subject is a part of the following study plans:
Generated on 2017-07-03