Music Aesthetics 2

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Subject guarantor:

Jan VIČAR

Name of lecturer(s):

Jan VIČAR

Learning outcomes of the course unit:

Introduction to issues in the development of music aesthetic viewpoints from the Antique to the present.

Mode of study:

Lectures supplemented by examples of topics discussed.

Prerequisites and co-requisites:

Completion of Music Aesthetics 1.

Course contents:

In the second semester the lectures cover the history of European music aesthetics.

Music as a significant complex and contemporarily diverse phenomenon has captured attention in the physical-mathematic elements of sound and the speech, technical, social, artistic and other functions. Music aesthetics in various periods has acquired a number of mathematicians, music theorists, writers and philosophers. Therefore, in the historical part, the lectures focus on these different aspects of music and attempts, based on these sources, to prove what has formed the topic of music aesthetics and what its particular influence has been on the production of music expression media. To present the topics of modern music aesthetics, a comparison of music aesthetics design methods is used (H.H. Eggebrecht, C.Dahlhaus, R. Scruton) and writers on music (F. Busoni, I. Stravinsky, A. Schoenberg, L. Bernstein, J. Cage, and others.). Separately, lectures will be devoted to the development of Czech Music Aesthetics (O. Hostinský, O. Yich, J. Yich, A. Sychra, J. Volek, M. Jůzl).

Recommended or required reading:

Adorno, Theodor Wiesengrund: Philosophie der Neuen Musik. Tübingen 1949, Frankfurt am Main 1969.

Bartel, Dietrich: Handbuch der musikalischen Figurenlehre. Laaber-Verlag, Freiburg 19873.

Bimberg, Siegfried: Handbuch der Musikästhetik. VEB Deutsche Verlag für Musik, Leipzig 1979.

Branberger, Jan: René Descartes, filosof hudby. Nákladem vlastním, Praha 1933.

Busoni, F.: Entwurf einer neuen Ästhetik der Tonkunst. Triest 1907.

Černý, Miroslav K.: Hudba antických kultur. Univerzita Palackého, Olomouc 1995.

Dahlhaus, Carl: Musikästhetik. Köln 1967.

Dykast, Roman: Hudba věku melancholie. Togga, Praha 2005.

Eggebrecht, Hans Heinrich: Musikalisches Denken. Aufsätze zur Theorie und Ästhetik der Musik. Wilhelmshaven 1977.

Eggebrecht, Hans Heinrich: Musik verstehen. München-Zürich 1995.

Eggebrecht, Hans Heinrich: Heinrich Schütz: musicus poeticus. Heinrichshofen?s Verlag, Wilhelmshaven 19842.

Eggebrecht, Hans Heinrich /ed./: Handwörterbuch der musikalischen Terminologie. I., II., III., IV, Stuttgart 1994.

Eggebrecht, Hans Heinrich: Hudba a krásno. Nakl. Lidové noviny, Praha 2001.

Einstein, Alfred: Od renesance k hudbě dneška. Editio Supraphon, Praha 1968.

Fubini, Enrico: Geschichte der Musikästhetik. Verlag J. B. Metzler, Stuttgart-Weimar 1997.

Fukač, Jiří: Hudební estetika jako konkretizace obecné estetiky a muzikologická disciplína. Masarykova univerzita, Brno 1998.

Fukač, Jiří: Mýtus a skutečnost hudby. Panton, Praha 1989.

Fukač, Jiří - Poledňák, Ivan: Hudba a její pojmoslovný systém. Academia, Praha 1981.

Fukač, Jiří - Jiránek, Jaroslav - Poledňák, Ivan - Volek, Jaroslav a kolektiv: Základy hudební sémiotiky I, II, III. Filozofická fakulta Masarykovy Univerzity, Brno 1992.

Godár, Vladimír: Kacírske quodlibety. Music Forum, Bratislava 1998.

Goldschmidt, Harry: Die Musik-Ästhetik des 18. Jahrhunderts. Zürich 1915.

Haar, James: The Science and Art of renaissance Music. Princeton University Press, New Jersey 1998.

Hanslick, Eduard: O hudebním krásnu. Editio Supraphon, Praha 1973.

Hostinský, Otakar: O hudbě. Editio Supraphon, Praha 1961.

Hutter, Josef: Hudební myšlení. Václav Tomsa, Praha 1943.

Chailley, Jacques: 40 000 let hudby. Státní hudební vydavatelství, Praha 1965.

Jiránek, Jaroslav: Hudební sémantika a sémiotika. Vydavatelství Univerzity Palackého, Olomouc 1996.

Lippman, Edward: A history of Western Musical Aesthetics. University of Nebraska Press, Lincoln and London 1992.

Lissa, Zofia: Nové studie z hudební estetiky. Editio Supraphon, Praha 1982.

Michels, Ulrich: Encyklopedický atlas hudby. Nakl. Lidové noviny, Praha 2000.

Palisca, V. Claude: Humanism in Italian Renaissance musical thought. New Haven, Yale University 1985.

Polák, Pavol: Hudobno-estetické náhľady v 18. storočí. Od baroka ku klasicizmu. Veda, Bratislava 1974.

Poledňák, Ivan: Hudba jako problém estetiky. Karolinum, Praha 2006.

Racek, Jan: Hudební estetika v Descartově Compendiu musicae. Hudební matice Umělecké Besedy, Brno 1943.

Scruton, Roger: The Aesthetics of Music. Clarendon Press, Oxford 1997.

Sychra, Antonín: Hudba očima vědy. Čs. spisovatel, Praha 1965.

Sychra, Antonín: Impresionismus a exprese v hudbě. Editio Supraphon, Praha 1990.

Vičar, Jan-Dykast, Roman: Hudební estetika. HAMU, Praha 1998, 2002.

Vít, Petr: Estetické myšlení o hudbě. České země 1760-1860. Academia, Praha 1987.

Volek, Jaroslav: Hudební struktura jako znak a hudba jako znakový systém. In: Opus musicum 1985, č. 5, 6 a 10.

Walker, Daniel Pickering: Der musikalische Humanismus im 16. und 17. Jahrhundert. Kassel 1949.

Yates, A. Frances: The French Academies of the Sixteenth Century. London 1947; French Translation: Les académies en France au XVIe siécle. Presses Universitaires de France, Paris 1996.

Zich, Otakar: Estetické vnímání hudby. Estetika hudby. Editio Supraphon, Praha 1981.

Zich, Jaroslav: Kapitoly a studie z hudební estetiky. Editio Supraphon, Praha1987.

Zoltai, Denes: Dejiny hudobnej estetiky. Étos a afekt. Opus, Bratislava 1983.

Assessment methods and criteria:

Exam: student assessment based on point evaluation of the written test.

Course web page:

Note:

none

Schedule for winter semester 2017/2018:

The schedule has not yet been prepared

Schedule for summer semester 2017/2018:

	06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Wed
Thu	room 2017 Učebna 2017 (Lichenštejnský palác) VIČAR J. 13:40–15:10 (přednášková par. 1)room 2017 Učebna 2017 (Lichenštejnský palác) VIČAR J. 15:20–16:50 (přednášková par. 2)
Fri	room 2017 Učebna 2017 (Lichenštejnský palác) VIČAR J. 08:40–10:10 (přednášková par. 3)

Date	Day	Time	Tutor	Location	Notes	No. of paralel
	Thu	13:40–15:10	Jan VIČAR	Učebna 2017 Lichenštejnský palác		přednášková par. 1
	Thu	15:20–16:50	Jan VIČAR	Učebna 2017 Lichenštejnský palác		přednášková par. 2
	Fri	08:40–10:10	Jan VIČAR	Učebna 2017 Lichenštejnský palác		přednášková par. 3

The subject is a part of the following study plans:

• Composition (Bc) (required subject with the possibility of repeat registration)
• Conducting (Bc) (required subject with the possibility of repeat registration)
• Operatic Directing (Bc) (required subject with the possibility of repeat registration)
• Voice (Bc) (required subject with the possibility of repeat registration)
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• Piano (Bc) (required subject with the possibility of repeat registration)
• Organ (Bc) (required subject with the possibility of repeat registration)
• Harp (Bc) (required subject with the possibility of repeat registration)
• Violin (Bc) (required subject with the possibility of repeat registration)
• Double Bass (Bc) (required subject with the possibility of repeat registration)
• Guitar (Bc) (required subject with the possibility of repeat registration)
• Cello (Bc) (required subject with the possibility of repeat registration)
• Viola (Bc) (required subject with the possibility of repeat registration)
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• Trumpet (Bc) (required subject with the possibility of repeat registration)
• Tuba (Bc) (required subject with the possibility of repeat registration)
• Music Production (Bc) - 2016/17 (required subject with the possibility of repeat registration)
• Music Directing (Bc) (required subject with the possibility of repeat registration)
• Sound Design (Bc) (required subject with the possibility of repeat registration)
• Percussion Instruments (Bc) (required subject with the possibility of repeat registration)
• Percussion Instruments-Jazz (Bc) (required subject with the possibility of repeat registration)
• Double Bass-Jazz (Bc) (required subject with the possibility of repeat registration)
• Piano-Jazz (Bc) (required subject with the possibility of repeat registration)
• Guitar-Jazz (Bc) (required subject with the possibility of repeat registration)
• Saxophone-Jazz (Bc) (required subject with the possibility of repeat registration)
• Music Theory (Bc) (required subject with the possibility of repeat registration)