Compositions Study for Composition 2

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Subject guarantor:

Iva OPLIŠTILOVÁ

Name of lecturer(s):

Jiří BEZDĚK, Iva OPLIŠTILOVÁ

Learning outcomes of the course unit:

Knowledge of the widest range of the latest domestic and foreign compositions.

Mode of study:

Lecture, score listenings, discussion, concert attendance

Prerequisites and co-requisites:

General knowledge of 20th Century music compostions in Bohemia and around the world.

Course contents:

A description of the instruction material originates in the course assignments of individual students. Each student is obligated, during the semester, to at least once present a paper and participate in discussions about the papers of other students. At the end of the year each student submits a course paper documenting in written form the results of their analysis.

Recommended or required reading:

HONS, Miloš: Hudební analýza, Togga, Praha 2011

HONS, Miloš: Hudba zvaná symfonie, Togga, Praha 2005

HŮLA, Zdeněk: Nauka o harmonii, SNKLU, Praha 1956

HŮLA, Zdeněk: Nauka o kontrapunktu. Editio Supraphon, Praha 1985.

JANEČEK, Karel: Hudební formy. SNKLHU, Praha 1955.

JANEČEK, Karel: Melodika. SNKLHU, Praha 1956.

JANEČEK, Karel: Harmonie rozborem. SHV Praha l963.

JANEČEK, Karel: Tektonika. Supraphon, Praha 1968.

JANEČEK, Karel: Základy moderní harmonie. Nakladatelství ČSAV, Praha 1965.

KOHOUTEK, Ctirad: Hudební styly z hlediska skladatele, Panton, Praha 1976.

LOUDOVÁ, Ivana: Moderní notace a její interpretace, Nakladatelství AMU,Praha 1998.

Orchestrace jako proces, sborník studií Katedry skladby HAMU, Praha 2010

RISINGER, Karel: Hierarchie hudebních celků v novodobé evropské hudbě. Panton, Praha 1969.

RYCHLÍK, Jan, Moderní Instrumentace, Panton Praha 1968

TICHÝ, Vladimír: Harmonicky myslet a slyšet. HAMU, Praha 1996.

TICHÝ, Vladimír: Úvod do studia hudební kinetiky. HAMU, Praha.

Assessment methods and criteria:

Credit is awarded based on participation in class, development and presentation of a semester paper which is presented in class.

Overall grading is comprised of 60% for class participation and 40% for the paper presentation.

Course web page:

Note:

None.

Schedule for winter semester 2017/2018:

The schedule has not yet been prepared

Schedule for summer semester 2017/2018:

The schedule has not yet been prepared

The subject is a part of the following study plans:

• Composition (Bc) (required subject with the possibility of repeat registration)