Compositions Study for Composition 6

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Subject guarantor:

Iva OPLIŠTILOVÁ

Name of lecturer(s):

Iva OPLIŠTILOVÁ

Learning outcomes of the course unit:

Knowledge of the widest range of the latest domestic and foreign compositions.

Mode of study:

Lecture, score listenings, discussion, concert attendance

Prerequisites and co-requisites:

General knowledge of 20th Century music compostions in Bohemia and around the world.

Course contents:

A description of the instruction material originates in the course assignments of individual students. Each student is obligated, during the semester, to at least once present a paper and participate in discussions about the papers of other students. At the end of the year each student submits a course paper documenting in written form the results of their analysis.

Recommended or required reading:

BERNARD, Jonathan W. The Evolution of Elliott Carter's Rhythmic Practice. Perspectives of New Music, Vol. 26, No. 2 (Summer, 1988), pp. 164-203. Stable URL: http://www.jstor.org/stable/833189

Cage, John. Silence. Praha: tranzitdispay, 2010.

Elliott Carter : collected essays and lectures, 1937-1995. Ed. Jonathan W. Bernard. Rochester : University of Rochester Press, 1997.

de Leeuw, Ton. Music of the twentieth century: a study of its elements and structure. Amsterdam : Amsterdam University Press , 2005.

DeLio, Thomas, Saunders Smith, Stuart. Twentieth-Century Music Scores. Englewood Cliffs,

NY: Prentice Hall, 1989.

Engaging music : essays in music analysis. Ed. Stein, D. Oxford University Press, 2005.

Grafické partitury a koncepty : Graphic scores and concepts. Praha : Audio ego , 1996.

Janeček, Karel. Tektonika. Praha : Supraphon, 1968.

Kofroň, Petr: Třináct analýz - HaH Jinočany, 1993.

Kostka, Stefan. Materials and techniques of twentieth-century music. New Jersey : Prentice Hall, c2006.

Lester, Joel. Analytic approaches to twentieth-century music. New York: W.W. Norton, 1989.

London, J. Hearing in Time : Psychological Aspects of Musical Meter. Oxford : Oxford University Press, 2004.

Loudová, Ivana. Moderní notace a její interpretace, Praha : Nakladatelství AMU, 1998.

Nové cesty hudby I. Praha : SHV, 1964.

Nové cesty hudby II. Praha-Bratislava : Supraphon, 1970.

Orchestrace jako proces (kolektiv autorů – katedra skladby HAMU)

Parsch, Arnošt, Piňos, Alois, Šťastný, Jaroslav: Náhoda, princip, systém, řád. Brno: JAMU, 2005.

Reina, Rafael. Applying Karnatic Rhythmical Techniques to Western Music. London, New York : Routledge, 2016. ISBN: 978-1-4724-5150-7

Risinger, Karel. Hierarchie hudebních celků v novodobé evropské hudbě. Praha : Panton, 1969.

Simms, Bryan R. Music of the twentieth century : an anthology. Vydáno: New Jersey : Schirmer , 1986

-------------------- Music of the twentieth century : style and structure. New Jersey : Schirmer , 1996

Tichý, Vladimír. Úvod do studia hudební kinetiky. Praha : HAMU, 1994.

XENAKIS, Iannis. Formalized music. Hillsdale : Pendragon Press, 1992.

http://www.univ-montp3.fr/~solomos/oniannis.html

Notové materiály a nahrávky analyzovaných skladeb.

Assessment methods and criteria:

Credit is awarded based on participation in class, development and presentation of a semester paper which is presented in class.

Overall grading is comprised of 60% for class participation and 40% for the paper presentation.

Course web page:

Note:

None.

Schedule for winter semester 2017/2018:

The schedule has not yet been prepared

Schedule for summer semester 2017/2018:

The schedule has not yet been prepared

The subject is a part of the following study plans:

• Composition-Specialization electroacoustic music (Mg) (required subject with the possibility of repeat registration)
• Composition-Specialization Film Music (Mg) (required subject with the possibility of repeat registration)
• Composition-Specialization Composition (Mg) (required subject with the possibility of repeat registration)