Composition Technique Fundamentals 2
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
186ZST2 | Z | 1 | 1/T | Czech | summer |
- Subject guarantor:
- Vladimír TICHÝ
- Name of lecturer(s):
- Tomáš REINDL, Vladimír TICHÝ
- Learning outcomes of the course unit:
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Exercises with the aim to expand, improve and develop composition skills in working with music.
- Mode of study:
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Students are gradually introduced to the fundamentals of composition technique. For each presented and explained problem, the instructor assigns the creation of a small exercise - etude. Generally applied methods will be gradually discussed: tectonic exercises, basic instrumentation exercises. Also to be developed is the practice of assignements: tone material organization in a dodecaphonic exercise, horizontal and vertical tone organization, contemporary modality exercises, meter-rhythmic exercises, creating a tectonic structure and etc...
- Prerequisites and co-requisites:
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Written completion of a composition etudes according to instructor assignment.
- Course contents:
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Exercises in composition techniques for non-composers. General tectonic exercises, basic instrumentation exercises, tone material organization in dodecaphonics, horizontal and veritical tone organization, exercises in new era modalities, meter-rhythmic exercises, creation of tectonic structures from assignement and individual level of student maturity
- Recommended or required reading:
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HŮLA, Zdeněk: Nauka o harmonii, SNKLU, Praha 1956
HŮLA, Zdeněk: Nauka o kontrapunktu. Editio Supraphon, Praha 1985
IŠTVAN, Miloslav: Metoda montáže izolovaných prvků v hudbě, Panton Praha 1973
JANEČEK, Karel: Hudební formy. SNKLHU, Praha 1955
JANEČEK, Karel: Základy moderní harmonie. Nakladatelství ČSAV, Praha 1965
LOUDOVÁ, Ivana: Moderní notace a její interpretace, Nakladatelství AMU,Praha 1998
Výběr staví ze sborníků Nové cesty hudby, Sborník studií o novodobých skladebných směrech a vědeckých pohledech na hudbu, SVH, Praha 1964, Editio Supraphon, Praha ? Bratislava 1970
Orchestrace jako proces, sborník studií Katedry skladby HAMU, Praha 2010
RYCHLÍK, Jan, Moderní Instrumentace, Panton Praha 1968
- Assessment methods and criteria:
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Credit is awarded based on student activity and results from the completed etude assignment.
- Course web page:
- Note:
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none
- Schedule for winter semester 2017/2018:
- The schedule has not yet been prepared
- Schedule for summer semester 2017/2018:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Wed Thu Fri Date Day Time Tutor Location Notes No. of paralel Wed 09:25–10:10 Tomáš REINDL Učebna 2017
Lichenštejnský palácparalelka 1 - The subject is a part of the following study plans:
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- Music Directing (Bc) (required subject with the possibility of repeat registration)
- Music Theory (Bc) (required subject with the possibility of repeat registration)