Documentary Workshop 8

Display Schedule

Subject guarantor:

Alice RŮŽIČKOVÁ, Karel VACHEK

Name of lecturer(s):

Rudolf ADLER, Miroslav JANEK, Martin MAREČEK, Alice RŮŽIČKOVÁ, Martin ŘEZNÍČEK, Helena TŘEŠTÍKOVÁ, Karel VACHEK

Learning outcomes of the course unit:

Students are introduced to the complete dramaturgy, implementation and composition processes of a documentary project, in order to be able to independently and creatively implement assigned group and study exercises according to the study plan corresponding to the study year and level of study.

Mode of study:

Moderated discussion, collective and individual consultations, analysis of recorded material.

Prerequisites and co-requisites:

Overview of arts disciplines, economic and political events, social issues.

Analytical and review skills.

Creativity.

Course contents:

The Implementation workshop is the main professional course for Documentary Dept. students. The focal point of its content is the most intensive communication with the workshop lead instructor. The Implementation workshop is a community arising from the mutual selection of the students and teachers in which free creative impulses arise and in the process of creation projects are improved in an atmosphere of regular collaboration, educationally effective sharing of experience in all phases of the rise of a work and in open discussions in which personal viewpoints, art and personal signature are refined and consolidated.

The foundation of the work is a thorough analysis of student proposals in a collective workshop and indivudal discussions about their social and artistic effect and a systematic presentation of how to proceed in their execution. The the work creation phase (shooting and composition finishing) the instructor analyses material, primarily in the editing room.

The Implementation workshop guides the student to no succumb to professional habits, but to try through their own investigations and searching for forms to surprise not only viewers but themselves as well. This leads the students to investigating manners of how to understand the current events and period in which we live and an ability to review and document it on film.

Recommended or required reading:

BILL NICHOLS, Úvod do dokumentárního filmu, Akademie múzických umění v Praze a Jihlavský spolek amatérských filmařů, 2010, ISBN 978-80-7331-181-0

Guido Aristarco, Dějiny filmových teorií, ORBIS, Praha,1968

Guy Gauthier, Dokumentární film, jiná kinematografie, AMU, Praha, MFDF, Jihlava, 2004ISBN 80-7331-023-6

Gilles Deleuze, Film 1 Obraz-Pohyb, Národní filmový archiv, Praha, 2000, ISBN 80-7004-098-X

Gilles Deleuze, Film 2 Obraz-Čas, Národní filmový archiv, Praha, 2006, ISBN 80-7004-127-7

Rudolf Adler, Cesta k filmovému dokumentu, FAMU, AMU, Praha, 2001 /třetí rozšířenné vydání/ISBN 80-8588š-72-4

Jerzy Płažewski, Dějiny filmu 1895 - 2005, ACADEMIA, Praha, 2009, ISBN 978-80-200-1689-8

Béla Balázs, FILM, Vývoj a podstata nového umenia SVKL, Bratislava, 1958

Assessment methods and criteria:

Conditions for successfully completing the course:

Attendance, participation in discussions, participation in dramaturgy preparations, implementation and completion of the year's exercises in consultation with the instructor and results quality of the group and study exercises.

Course web page:

Note:

Rudolf Adler:

The aim and purpose of this course and program is the constructive and positive concept of the „Creative Workshop,“ reminiscent of the traditional painters' and sculptors' studios of the distant past and the group efforts of defined arts groups in various creative fields of the recent past and modernity.

The course is imagined as a volutary society of enthusiastic, hard-working, skilled, morally sound and mutually responsibe creative persons, artistically inclined and in opinion and emotion going in the same direction. A society where impulses freely arise and the creative process develops results in an atmosphere of working collaboration, sharing of professional experience and knowledge in all phases of the project and, as well, open discussion in which personal standpoints, artistic manifestations and individual signatures are refined

Schedule for winter semester 2017/2018:

The schedule has not yet been prepared

Schedule for summer semester 2017/2018:

	06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon	room 217 Room No. 217 (Lažanský palác) JANEK M. 09:50–12:15 (paralelka 1)room 210 Room No. 210 (Lažanský palác) VACHEK K. 13:10–15:35 (paralelka 3) room 211 Room No. 211 (Lažanský palác) TŘEŠTÍKOVÁ H. 09:50–12:15 (paralelka 2)room 211 Room No. 211 (Lažanský palác) ADLER R. 13:10–15:35 (paralelka 4) room 217 Room No. 217 (Lažanský palác) MAREČEK M. 09:50–12:15 (paralelka 6)room 217 Room No. 217 (Lažanský palác) ŘEZNÍČEK M. 13:10–15:35 (paralelka 5)
Tue
Wed
Thu	room 217 Room No. 217 (Lažanský palác) RŮŽIČKOVÁ A. 17:20–19:45 (paralelka 7)
Fri

Date	Day	Time	Tutor	Location	Notes	No. of paralel
	Mon	09:50–12:15	Miroslav JANEK	Room No. 217 Lažanský palác		paralelka 1
	Mon	09:50–12:15	Helena TŘEŠTÍKOVÁ	Room No. 211 Lažanský palác		paralelka 2
	Mon	13:10–15:35	Karel VACHEK	Room No. 210 Lažanský palác		paralelka 3
	Mon	13:10–15:35	Rudolf ADLER	Room No. 211 Lažanský palác		paralelka 4
	Mon	13:10–15:35	Martin ŘEZNÍČEK	Room No. 217 Lažanský palác		paralelka 5
	Mon	09:50–12:15	Martin MAREČEK	Room No. 217 Lažanský palác		paralelka 6
	Thu	17:20–19:45	Alice RŮŽIČKOVÁ	Room No. 217 Lažanský palác		paralelka 7

The subject is a part of the following study plans:

• Documentary Film - Master - 1718 (required subject)