Česká verzeČeská verze
ACADEMY OF PERFORMING ARTS IN PRAGUE

Production Talks

Display Schedule

Code Completion Credits Range Language Instruction Semester
305ROPRO Z 1 1/T Czech winter and summer
Subject guarantor:
Václav MORAVEC
Name of lecturer(s):
Václav MORAVEC
Learning outcomes of the course unit:

Couse with invited guests about the newest trends in the audio-visual part of the media landscape. The aim of the course is to offer students the opportunity to meet and have fundamental discussions with figures who have theory and practical experience with individual aspects of domestic audio-visual pieces (ex: phenomena such as youtube, quality TV, pirating of audio-visuals and its forms, mass versus dispersed audiences, etc.)

Mode of study:

This course is built on the basis of topical knowledge regarding the invited guest. Participation is required.

Prerequisites and co-requisites:

-

Course contents:

This course is devoted to current trends in audio-visual arts and its review.

Recommended or required reading:

BAUERLEIN, M., The Digital Divide: Arguments for and Against Facebook, Google, Texting, and the Age of Social Networking. New York: Tarcher, Penguin Group, 2011. 368 s. ISBN 978-1-58-5428-86-1.

BAUMAN, Z., Globalizace. Důsledky pro člověka. Přeložila Jana Ogrocká. Praha: Mladá fronta, 2000. 160 s. ISBN 80-204-0817-7.

BECK, U., Moc a protiváha moci v globálním věku. Nová ekonomie světové politiky. Přeložili Alena Bakešová a Vladimír Jochmann. Praha: Sociologické nakladatelství, 2007. 460 s. ISBN 978-80-86429-67-0.

BERKER, T., HARTMANN, M., PUNIE, Y., WARD, K., Domestication of Media and Technology. London: Open University Press, 2006. 270 s. ISBN 978-0335-217-687.

BRUNS, A., Blogs, Wikipedia, Second Life, and Beyond: From Production to Produsage. New York: Peter Lang, 2008. 418 s. ISBN 978-0-8204-8866-0.

CASTELLS, M., The Internet Galaxy, Reflections on the Internet, Business and Society. Oxford, New York: Oxford University Press, 2001. 304 s. ISBN 978-0-19-9241-53-8.

FIDLER, R., Mediamorphosis: Understanding New Media. London: Pine Forge Press, 1997. 320 s. ISBN 978-08-0399-086-9.

JAKUBOWICZ, K., Nová ekologie médií. Konvergence a mediamorfóza. Přeložila Svatava Navrátilová. Zlín: VeRBuM, 2013. 334 s. ISBN 978-80-87500-38-5.

JENKINS, H., Convergence culture: where old and new media collide. New York: New York University Press, 2006. 353 s. ISBN 978-0-8147-4281-5.

JENKINS, H., Textual Poachers: Television Fans and Participatory Culture. New York, London: Routledge, 2012. 424 s. ISBN 978-0-415-53329-4.

LÉVY, P., Collective Intelligence: Mankind's Emerging World in Cyberspace. Cambridge, Massachussets: Basic Books, 1999. 312 s. ISBN 0-7382-0261-4.

LÉVY, P., Kyberkultura. Přeložili Anna Pravdová a Michal Kašpar. Praha: Karolinum, 2000. 229 s. ISBN 80-246-0109-5.

MANOVICH, L., The Language of New Media. Cambridge: MIT Press, 2001. 352 s. ISBN 0-262-13374-1.

MANOVICH, L., Art after Web 2.0. In: Frieling, R., (ed.) The Art of Participation: 1950 to Now. San Francisco: Thames&Hudson, 2008, 212 s. ISBN 978-0-5002-3858-5.

MEYROWITZ, J., Všude a nikde: Vliv elektronických médií na sociální chování. Přeložili Jan Jirák, Kateřina Jonášová, Irena Reifová, Tomáš Trampota, Zuzana Zejdová, Štefan Švec. Praha: Karolinum, 2006. 341 s. ISBN 80-246-0905-3.

MORAVEC, V., Média v tekultých časech. Konvergence audiovizuálních médií v ČR. Praha: Academia, 2016. 192 s. ISBN 978-80-200-25-72-2.

POSTER, M., The Second Media Age. Oxford, Cambridge: Polity Press, 1995. 200 s. ISBN 978-0-7456-6822-2.

SALVUCCI, D., TAATGEN, N., The Multitasking Mind. New York: Oxford University Press, 2011. 320 s. ISBN 978-0-19-973356-9.

SPITZER, M., Digitální demence. Přeložil František Ryčl. Brno: Host, 2014. 343 s. ISBN 978-80-7294-872-7.

STRAUBHAAR, J. World Television: From Global to Local. London: Sage Publications, 2007. 312 s. ISBN 978-0-8039-5463-2.

VOLEK, J., Televizní publika ve věku digitální fragmentace. In: Kaňka, P. Kofránková V., Mayerová, I., Štoll M. a kol., Autor-vize-meze-televize. Praha, Bratislava: International ART CAMPUS Prague-Bratislava: VŠMU, 2015. S 31-50, 19 s. sv. 1. ISBN 978-80-86877-76-1.

WATKINS, S. C., The Young and the Digital. Boston: Beacon Press, 2009. 250 s. ISBN 978-0-8070-6193-0.

Assessment methods and criteria:

Basic requirement for grading is class participation confirmed by the concurrent partial tasks (ex: brief written considerations).

75% attendance.

Course web page:
Note:
Further information:
Course may be repeated
Schedule for winter semester 2017/2018:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Wed
room 330
Room No. 330

(Lažanský palác)
MORAVEC V.
18:10–19:05
(paralelka 1)
Thu
Fri
Date Day Time Tutor Location Notes No. of paralel
Wed 18:10–19:05 Václav MORAVEC Room No. 330
Lažanský palác
paralelka 1
Schedule for summer semester 2017/2018:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Wed
room 330
Room No. 330

(Lažanský palác)
MORAVEC V.
18:10–19:05
(paralelka 1)
Thu
Fri
Date Day Time Tutor Location Notes No. of paralel
Wed 18:10–19:05 Václav MORAVEC Room No. 330
Lažanský palác
paralelka 1
The subject is a part of the following study plans:
Generated on 2018-06-18