The Theory of Editing 3

Subject is not scheduled Not scheduled

Subject guarantor:

Name of lecturer(s):

Learning outcomes of the course unit:

The aim of the course is to introduce students to the changes in editing compostion from the beginning of cinematography to the present.

Mode of study:

Discussions, analyses of media recording samples, text analyses

Prerequisites and co-requisites:

Completion of „Editing Composition Theory 1 and 2“.

Course contents:

The basic topic is a comparison of the modern theories and practices of distinguished world cinematography filmakers who have no only enriched film composition processes but also were able to reflect upon their own theory items and considerations.

Recommended or required reading:

Victor A. Grauer, Montage, realism and the Act of Vision.

Andrej Tarkovskij, Zapečatanoje vremja.

James Monaco, How to read a film.

Robert Bresson, Poznámky o kinematografu.

Assessment methods and criteria:

Activity in lectures

Text analyses

Completion of the final exam

Course web page:

Note:

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Further information:

No schedule has been prepared for this course

The subject is a part of the following study plans:

• Editing - Bachelor-1718 (required subject)
• Editing - Bachelor - 1718 - 3y (required subject)