Studio of Imagitative Photography 3

Display Schedule

Subject guarantor:

Rudolf PREKOP

Name of lecturer(s):

Rudolf PREKOP

Learning outcomes of the course unit:

Managing issues of shootiing portraits and figures in the studio.

Mode of study:

Prerequisites and co-requisites:

General knowledge of visual art and photography

General knowledge of modern visual arts theory

Analytical abilities

Creativity

Course contents:

This studio is built on two elements: the experience of the students with depicting figures and portraits and on the spontaneous need for free creative experimentation. This the the foundation on which contact and the link to a discussions among students and the studio lead will be built. At the master's study level the studio provides artistic space for student working across genres and creating a comprehensive photographic expression spectrum. This removes the boundaries between graphic, documentary, multi-media and other forms of image communications. Therefore communication itself will be accentuated.

In this „Autonomous Studio“ individual semester exercises are completed according to the studio lead. These exercises are not unchangeable but, however, react to the „spiritof the particular time“. Emphasis is placed on the thought basis, sensibility and individual creative stance of each student which in interaction and discussion with the instructor, flows into a creative output.

The studio lead invites workshop instructors, photography, film and graphic arts figures according to studio lead's choice. This a semester or year workshop according to the instructor's schedule. The purose is a confronting of students with the wide spectrum of individuals who present their creative experience, perspective, stance, espirit, to the participating students.

Recommended or required reading:

Alberro, Alexander - Norvell, Patricia (ed.): Recording Conceptual Art, Berkeley,

Los Angeles a London: University of California Press, 2001

Alberro, Alexander, Sabeth Buchmann: Art After ConceptualArt, MIT Press,

Cambridge and London, 2006

Fried Michael: Why Photography Matters as Art as Never Before, Yale University

Press, New Haven 2008

Bourriaud, Nicolas: Postprodukce, Praha: Tranzit, 2004

Bourriaud, Nicolas: Relational Aesthetics, Dijon: Les presses du réel, 2002

Cotton Charlotte: The Photography as Contemporary Art, London, Thames

Hudson, 2004

Císař, Karel (ed): Co je to fotografie? Herrmann a synové, Praha 2004

Foster, Hal (ed): Postmodern Culture, London: Pluto Press, 1990

Foster, Hal; Krauss, Rosalind; Bois, Yves-Alain; Buchloh, Benjamin H.D.: Art

since 1900, London: Thames & Hudson, 2004

Michel Frizot: Nouvelle Histoire de la Photographie, Larousse-Bordas, Paris,

1996

Grygar Štěpán, Konceptuální umění a fotografie, Praha, AMU, 2004

Petříček Miroslav: Myšlení obrazem, Herrmann a synové, Praha 2009

Silverio, Robert: Postmoderní fotografie, Praha: AMU, 2007

Liz Wells. The Photography Reader, Routledge, London, 2003

Wall, Jeff: Selected Essays and Interviews, New York: The Museum of Modern

Art, 2007

Assessment methods and criteria:

Students may be graded based on attendance 70% and participation in group excursions. Each exercise will be graded according to the criteria given.

Course web page:

Note:

none

Schedule for winter semester 2017/2018:

	06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue	room 113 Studio No. 113 (Lažanský palác) PREKOP R. 09:00–18:00 (přednášková par. 1)
Wed
Thu
Fri

Date	Day	Time	Tutor	Location	Notes	No. of paralel
	Tue	09:00–18:00	Rudolf PREKOP	Studio No. 113 Lažanský palác		přednášková par. 1

Schedule for summer semester 2017/2018:

The schedule has not yet been prepared

The subject is a part of the following study plans: