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ACADEMY OF PERFORMING ARTS IN PRAGUE

Ontology of Encunter

Display Schedule

Code Completion Credits Range Language Instruction Semester
307MOS Z 2 32/S English, Czech summer
Subject guarantor:
Štěpánka ŠIMLOVÁ
Name of lecturer(s):
Václav JANOŠČÍK
Learning outcomes of the course unit:

Learning aim, list of competencies, skills, knowledge achieved by student upon completing the course.

Portfolio review - feedback

Collaboration with a curator

Artefact preparation and installation - in working with the curator.

Artist Statement

Background for reivew commentary

Festival presentation - one's own presentation, review of other festival sites.

Mode of study:

full-time

Prerequisites and co-requisites:

Participation in exhibition Ontology of Encounter - Gallary AMU

Course contents:

I am looking at a photograph. It might be mine, but it can just as well be yours. I hold it in my hand, or I have come across it on the internet. The more attention and time I devote to it, the more it mesmerizes me and inscribes itself in my memory. It slowly starts becoming all; as if I could leave my own self and enter the photograph. As if I could encounter it.

#encounter

Reality is not just in the here and now, but stretches between the past and the future, between our perspec¬tives which penetrate it and change it. In order to truly comprehend this, in order to be able to visualize it, we need to overcome our singular perspective. We need a sense of orientation and a wider view of the world around us. In a certain sense, we need a photograph.

#ontology

In the exhibiton, there are projects that deal explicitly with encounters – as mediated by paid dating services (Zheng Minghui), between roommates (Veronika Durbáková), in terms of body language (Alexandra Mertová), or an encounter with animals (Dominik Gajarský). But the encounter with the inhuman world plays principal role in our exhibition. You can engage works that are dealing with ontology in terms of visual punctures (Martin Netočný), measures and geometry (Artur Magrot), astronomy (Inka Karčáková) or by reflecting the waves surrounding us (Oskar Helcel).

#there

Moreover we aim at an encounter here. We are interested in the specific space and surrounding of our exhibition – pointing to the dubious nature of shopping malls. Therefore, we engage with the consumerist commodification of photography and its meaning (Pamela Kuťáková), with the tangible and affective elements of shopping (Romana Drdová) and even explicitly with shopping mall as a space for meeting (Zheng Minghui). Finally, we address also the question of medium of an encounter – be it the photography itself (ferrotypes), or more pervasively the digital technologies (Šimon Levitner and David Střeleček) or the internet (Dalibor Knapp) and its social media (Johana Novotná).

#here

Here, in our exhibition, the photograph and other media adopt the guise of various en¬counters, meetings with people and with things. Much like abbreviations, symbols, or hashtags, they create a rhythm, condensing meaning while constantly dra¬wing us in, closer towards the encounter. The photo-graph oscillates between the fictitious and the real, the expressive and the intimate; the deep and the superfici¬al, the serious and the ephemeral.

#eluding

Recommended or required reading:

Janoščík, V., Breitling, D., Bohal, V. (eds.): Reinventing Horizons, Display, 2016.

Janoščík, V., Brabec, J., Horský, J. (eds.): Z přirozené potřeby kritického ducha, Sborník k nedožitým 80. Zdeňka Vašíčka, FHS CUNI, 2016.

Janoščík, V. (ed) Objekt, Kvalitář, 2015.

Buddeus, H., Dufková M., Janoščík, V., Lomová, J. (eds.): Ad Akta II. KDUE/VŠUP 2008/2011, VŠUP 2013.

Buddeus, H., Dufková M., Janoščík, V., Lomová, J. (eds.): Ad Akta I., Dějiny umění v rozšířeném poli, VŠUP 2012.

Assessment methods and criteria:

Participation in the presentation of the Dusseldorf Fotoweekend Festival.

Installation implementation and review throughout exhibition.

Review of entire festival

Development of a strategy of the Photography Dept. for other presentations in photography festivals.

Course web page:
Note:

none

Schedule for winter semester 2017/2018:
The schedule has not yet been prepared
Schedule for summer semester 2017/2018:
The schedule has not yet been prepared
The subject is a part of the following study plans:
Generated on 2018-06-18