Daniel MIKOLÁŠEK

Email:

daniel.mikolasek@hamu.cz

Teacher's web page

http://michal.hromek.net/?page_id=138

Courses:

• Chamber Music Playing 1
• Chamber Music Playing 10 - Contemporary Music
• Chamber Music Playing 2
• Chamber Music Playing 3
• Chamber Music Playing 4
• Chamber Music Playing 5
• Chamber Music Playing 6
• Chamber Music Playing 7 - Contemporary Music
• Chamber Music Playing 8 - Contemporary Music
• Chamber Music Playing 9 - Contemporary Music
• Chamber Music Playing - Historically Educated Interpretation 10
• Chamber Music Playing - Historically Educated Interpretation 7
• Chamber Music Playing - Historically Educated Interpretation 8
• Chamber Music Playing - Historically Educated Interpretation 9
• Chamber Music Playing - Standard Repertoire 10
• Chamber Music Playing - Standard Repertoire 7
• Chamber Music Playing - Standard Repertoire 8
• Chamber Music Playing - Standard Repertoire 9
• Concert Practical - Percussion Instruments 1 (Course guarantor)
• Concert Practical - Percussion Instruments 2 (Course guarantor)
• Concert Practical - Percussion Instruments 3 (Course guarantor)
• Concert Practical - Percussion Instruments 4 (Course guarantor)
• Didactics/Teaching Practical of Percussion Instrumensts 1 (Course guarantor)
• Didactics/Teaching Practical of Percussion Instrumensts 2 (Course guarantor)
• History and Literature of Percussion instruments 1 (Course guarantor)
• History and Literature of Percussion instruments 2 (Course guarantor)
• History and Literature of Percussion instruments 3 (Course guarantor)
• History and Literature of Percussion instruments 4 (Course guarantor)
• History and Literature of Percussion instruments 5 (Course guarantor)
• History and Literature of Percussion instruments 6 (Course guarantor)
• Orchestral Parts and Solos for Perucussion Instruments 1 (Course guarantor)
• Orchestral Parts and Solos for Perucussion Instruments 2 (Course guarantor)
• Orchestral Parts and Solos for Perucussion Instruments 3 (Course guarantor)
• Orchestral Parts and Solos for Perucussion Instruments 4 (Course guarantor)
• Orchestral Parts and Solos for Perucussion Instruments 5 (Course guarantor)
• Orchestral Parts and Solos for Perucussion Instruments 6 (Course guarantor)
• Percussion Instruments 1 (Course guarantor)
• Percussion Instruments 10 (Course guarantor)
• Percussion Instruments 2 (Course guarantor)
• Percussion Instruments 3 (Course guarantor)
• Percussion Instruments 4 (Course guarantor)
• Percussion Instruments 5 (Course guarantor)
• Percussion Instruments 6 (Course guarantor)
• Percussion Instruments 7 (Course guarantor)
• Percussion Instruments 8 (Course guarantor)
• Percussion Instruments 9 (Course guarantor)
• Percussion Instruments Seminar 1 (Course guarantor)
• Percussion Instruments Seminar 10 (Course guarantor)
• Percussion Instruments Seminar 2 (Course guarantor)
• Percussion Instruments Seminar 3 (Course guarantor)
• Percussion Instruments Seminar 4 (Course guarantor)
• Percussion Instruments Seminar 5 (Course guarantor)
• Percussion Instruments Seminar 6 (Course guarantor)
• Percussion Instruments Seminar 7 (Course guarantor)
• Percussion Instruments Seminar 8 (Course guarantor)
• Percussion Instruments Seminar 9 (Course guarantor)
• Sound and rythm Studio 1 (Course guarantor)
• Sound and rythm Studio 2 (Course guarantor)
• Sound and rythm Studio 3 (Course guarantor)
• Sound and rythm Studio 4 (Course guarantor)
• Sound and rythm Studio 5 (Course guarantor)
• Sound and rythm Studio 6 (Course guarantor)
• The melodic percussion Instruments 1 (Course guarantor)
• The melodic percussion Instruments 10 (Course guarantor)
• The melodic percussion Instruments 2 (Course guarantor)
• The melodic percussion Instruments 3 (Course guarantor)
• The melodic percussion Instruments 4 (Course guarantor)
• The melodic percussion Instruments 5 (Course guarantor)
• The melodic percussion Instruments 6 (Course guarantor)
• The melodic percussion Instruments 7 (Course guarantor)
• The melodic percussion Instruments 8 (Course guarantor)
• The melodic percussion Instruments 9 (Course guarantor)

Diploma thesis led and defended successfully:

• BcA. Koubek Tomáš – Bicí nástroje v praxi
• MgA. Koubek Tomáš – Bicí nástroje ve vybraných skladbách Igora Stravinského
• MgA. Vytiska Miroslav – Miroslav Vytiska: Magisterský koncert
• BcA. Andrlová Klára – Klára Andrlová: Bakalářský koncert
• BcA. Andrlová Klára – Bicí nástroje ve 21. století
• BcA.MgA. Sokolov Oleg – Marimba-vývoj a současnost
• BcA.MgA. Sokolov Oleg – Sokolov Oleg: Magisterský koncert
• MgA. Vytiska Miroslav – Bicí nástroje ve vojenských hudbách
• BcA. Pashayev Mikhail – Bicí nástroje v Ázerbajdžánu
• BcA. Pashayev Mikhail – Mikhail Pashayev: Bakalářský koncert
• BcA. Zhdanovich Anton – Technika hry na tympány podle Freda D. Hingera
• BcA. Zhdanovich Anton – Zhdanovich Anton: Bakalářský koncert
• BcA. Veselý Šimon – Komercializace " klasické " hudby
• BcA. Veselý Šimon – Bakalářský koncert
• MgA. Veselý Šimon – Vývoj nároků na interpretaci děl českých skladatelů pro bicí nástroje od 60.let 20.stol. po současnost
• MgA. Zhdanovich Anton – Evropská specifika umění hry na bicí nástroje: Základy přirozené hry
• MgA. Kasal Jan – Systemizace orchestrálních partů bicích nástrojů
• BcA. Rehberger Pavel – Rámové bubny - historie a současnost
• BcA. Bilan Ladislav – Pražský soubor bicích nástrojů
• MgA. Kasal Jan – Kasal Jan: Magisterský koncert
• BcA. Doležal Radek – Doznění - dozvuk - tlumení bicích nástrojů
• BcA. Rehberger Pavel – Rehberger Pavel: Bakalářský koncert
• BcA. Bilan Ladislav – Bilan Ladislav: Bakalářský koncert
• MgA. Veselý Šimon – Veselý Š.: Magisterský koncert
• MgA. Zhdanovich Anton – Zhdanovich A.: Magisterský koncert
• BcA. Doležal Radek – Doležal R.: Bakalářský koncert