Dramaturgická tvorba 4

Předmět není vypsán Nerozvrhuje se

Garant předmětu

Jméno vyučujícího (jména vyučujících)

Výsledky učení dané vzdělávací složky

Znalosti a dovednosti, získané na bakalářském stupni studia dramaturgie, jsou dovršeny samostatnou tvůrčí prací. Studenti režie a dramaturgie společně vybírajíí tituly a sestavují dramaturgický plán školního divadla Disk. Přitom musí nejen usilovat o vyjádření svého postoje k světu a divadlu, ale také zohledňovat limity, dané možnostmi hereckého obsazení a nutností zajistit kvalitní práci pro celý herecký ansámbl svých spolužáků. Procházejí výcvikem v podmínkách, které simulují provoz běžného profesionálního činoherního divadla. Přitom nepřestávají prohlubovat své vzdělanostní zázemí a schopnost reflexe divadelního představení, tak aby možnosti jejich budoucího profesionálního uplatnění byly co nejširší.

1. Tvorba dramaturgického plánu a dramaturgie jednotlivých titulů ve školním divadle Disk, které je modelem provozu profesionálního činoherního divadla.
2. Literární příprava uváděného dramatického textu a tvorba dramaturgicko-režijní koncepce.
3. Písemná reflexe zkušebního procesu inscenace a jejího výsledku, včetně diváckých ohlasů.

Forma studia

Semináře, příprava Diskových inscenací, písemná reflexe zkušebního procesu.

Předpoklady a další požadavky

Znalosti oboru dramaturgie na úrovni úspěšně složené bakalářské zkoušky.

Obsah kurzu

Předmět, v magisterském stupni určený studentům režie, dovršuje studium předchozích let samostatnou prací na absolventských představeních. Významnou součástí jsou písemné reflexe vlastní zkušenosti v seminárních pracích, vrcholící pak prací diplomovou. Výuka probíhá v následujících etapách:

1. Hledání vhodných textů pro konkrétní tvůrčí tým a herecké obsazení.
2. Dramaturgická příprava konkrétního titulu, jeho analýza a interpretace.
3. Tvorba dramaturgicko-režijní koncepce.
4. Literární práce na konkrétním textu: krácení, revize překladu, úpravy, adaptace, dramatizace.
5. Reflexe zkušebního procesu, dovršená písemným záznamem.

Doporučená nebo povinná literatura

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Barba, Eugenio - The paper canoe: a guide to theatre anthropology

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Elam, Keir - The Semiotics of Theatre and Drama

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Gajdoš, Július - From Drama Technique to Scenology

Ali, Moi - The DIY guide to public relations: [for charities voluntary organisations and community groups]

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Alschitz, Jurij - Training forever!

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Aronson, Arnold - Looking into the abyss: essays on scenography

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Bakhtin, M.M. - The dialogic imagination: four essays

Baldwin, Peter - Toy theatres of the world

Ballet and modern dance

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Bentley, Eric - What is Theatre?

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Bigsby, Christopher - Modern American drama 1945-2000

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Earl, John - British theatres and music halls

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Eva Farkašová: cesty, paths, Wege

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Evans, Mark - Jacques Copeau

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Flanagan, Joan - Successful fundraising: a complete handbook for volunteers and professionals

Flint, Michael F. - A user's guide to copyright

Fo, Dario - The Tricks of the Trade

Fortier, Mark - Theory/Theatre: an introduction

Gajdoš, Július - From Drama Technique to Scenology

Gale, Maggie B. and Barker, Clive (ed.) - British theatre between the wars: 1918-1939

Gallerová, Vlasta; Ptáčková, Věra; Machalický, Jiří - Jaroslav Malina

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Percival, John - Experimental Dance

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Promoting issues and ideas: a guide to public relations for nonprofit organizations

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Rojek, Chris - Celebrity

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Simonson, Lee - The stage is set

Smith, Chris - Creative Britain

Sorelius, Gunnar - Shakespere´s early comedies

Sorell, Walter - The Dance through the ages

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Southern, Richard - The staging of plays before Shakespeare

Spolin, Viola - Improvisation for the theater: a handbook of teaching and directing techniques

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Stanislavski, Constantin - An actor´s work: a student´s diary

Stanton, Sarah; Banham, Martin - The Cambridge Paperback Guide to Theatre

Steiner, George - The Death of tragedy

Šormová, Eva; Eynat-Confino, Irene (ed.) - Space and the postmodern stage

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The theater of the Bauhaus [1961]

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Thomas, James Michael - Script analysis for actors, director and designers

Three decades OISTAT

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Toshio, Kawatake - Kabuki: baroque fuszon of the arts

Towse, Ruth - A Handbook of cultural economics

Turner, Victor - The anthropology of performance

Turner, Victor Witter - From ritual to theatre: the human seriousness of play

Unwin, Stephen - So you want to be a theatre director?

Vansina, Jan - Oral tradition as history

Volz, Jim - How to run a Theatre: a Witty, Practical, and Fun Guide to Arts Management

Warre, Michael - Designing and making stage scenery

Warshow, Robert - The immediate experience: movies, comics, theatre and other aspects of popular culture

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Wilmeth, Don B. - The Cambridge Guide to American Theatre

Wilson, Stephen - Information arts: intersections of art, science and technology

Wolford, Lisa; Schechner, Richard (ed.) - The Grotowski sourcebook [1997]

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Young, Joyce; Wyman, Ken; Swaigen, John - Fundraising for nonprofit groups

Zarrilli, Phillip B. - Psychophysical acting: an intercultural approach after Stanislavski

Hodnoticí metody a kritéria

Podmínky úspěšného ukončení předmětu: aktivní účast na seminářích, zpracování a průběžná prezentace dílčích tvůrčích úkolů, systematická a dovršená příprava absolventského představení. Během semestru se vyžaduje samostatná četba a aktivní účast v diskusích na seminářích, minimálně 70% účast. Celkové hodnocení se skládá ze 30 % z hodnocení aktivity na seminářích a 70 % tvorba dramaturgicko-režijní koncepce absolventského představení a jeho písemná reflexe.

Další informace

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• Režie činoherního divadla v angličtině (M.A.) (povinný předmět hlavní)