On Pictures
Předmět není vypsán Nerozvrhuje se
Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
---|---|---|---|---|---|
304EOP | Z | 1 | 2T | anglicky | zimní |
Garant předmětu
Jméno vyučujícího (jména vyučujících)
Výsledky učení dané vzdělávací složky
The aim of this class is to show tools and means and its changes in the history of picture making on important and influential examples of Western painting.
Forma studia
The course combines in-class lectures and seminars. Seminars will take place in galleries in front of original paintings.
Předpoklady a další požadavky
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Obsah kurzu
The course focuses on an analysis of pictorial forms in the history of Western Painting. Key elements of such an analysis are the understanding of a composition, proportions, use of colour and use of light. The historical context of specific pictures cannot be neglected completely otherwise it would be impossible to follow artistic intention and will therefore be presented as well.
Course Schedule:
1.Visual Thinking or Thinking with Pictures
2.Medieval picture
Illuminations, Bayeux Tapestry, Giotto
3.Seminar: National Gallery
Master of Vyšší Brod, Theodoric of Prague, Master of Třeboň Altarpiece
4.Renaissance I
15th century masters and northern Renaissance: Massacio, Paolo Uccello, Piero della Francesca, Benozzo Gozzoli, Fra Angelico, Sandro Botticelli, Jan van Eyck, Rogier van der Weyden
5.Renaissance II
Michelangelo, Leonardo da Vinci, Raphael, Tintoretto, Titian
6.Seminar: European art in National Gallery
7.Baroque I
Caravaggio and Roman Baroque
8.Baroque II
Rembrandt, Frans Hals, Peter Paul Rubens
9.Seminar: Czech Baroque Painting
10.Enlightenment, Classicism, Romanticism
J.-L. David, J.A.D. Ingres, F. Goya, C.D. Friedrich, J.M.W. Turner
11.Realism, Impressionism, Postimpressionism
12.Avant-garde I
Fauvism, Cubism, Futurism, Expressionism, Surrealism
13.Seminar: Modern Painting in National Gallery
Klimt, Schiele, Picasso, Kubišta, Filla
14.Postwar Painting
Rothko, Pollock, Kiefer, Richter
Doporučená nebo povinná literatura
Rudolf Arnheim, Art and Visual Perception
Rudolf Arnheim, Visual Thinking
Rudolf Arnheim, The Power of the Centre
Michael Baxandall, Painting and Experience
Michael Baxandall, Patterns of Intention
John Berger, Ways of Seeing
James Elkins, Pictures and Tears: A History of People Who Have Cried in Front of Paintings
Matila C. Ghyka, The Golden number
Gyorgy Kepes, Language of Vision
Mario Livio, The Golden Ratio
Alberto Manguel, Reading Pictures
Erwin Panofsky, Perspective as Symbolic Form
David Summers, Real Spaces
Hodnoticí metody a kritéria
Essay: Analysis of a selected painting
Participation in classes and seminars
Poznámka
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Další informace
Pro tento předmět se rozvrh nepřipravuje
Předmět je součástí následujících studijních plánů
- Cinematography-1819 (povinný předmět)