Classical Dance Training 1
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 107TKT1 | Z | 2 | 2T | Czech | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
The course aim is to develop student dance experience in classical dance. To introduce them to current trends in leading dance trainings. To increase flexibility, dance memory and physical condition.
Mode of study
The training is intended for student of all studies and study years. It is required for 2nd year dance education and an elective for others. The training is to improve classical dance technique. We emphasize the training form used in professional ballet ensembles.
Prerequisites and co-requisites
Knowledge of classical dance technique at the conservatory level is required.
Course contents
A la barre: exercises with the head at the bar for „warm-up“, combinations containing all basic elements of classic dance technique - battement tendu, battement tendu jeté, rond de jambe par terre, rond de jambe en l´air, battement fondu, battement frappés, petit battement, adagio-développé, relevé lent, arabesque poses, attitude, écarté, etc., grand battement.
Au millieu: exercises containing all instructed elements at the bar, primarily combinations: adagia, battement tendu and battement jeté, battement fondu, grand battement, phrases created also based on elements with multiple step and pirouettes
Allegro: jump variations divided into: petit allegro, medium allegro, grand allegro
Final training is comprised on adagio in a port de bras and with defined exercises which assist in relaxing after difficult physical performance.
Recommended or required reading
V. Kostrovická - A. Pisarev: Klasický tanec, 1976 Leningrad;
V. Kostrovická: 100 hodin klasického tance, 1972 Leningrad;
N.I. Tarasov: Klasický tanec, 1983 Praha;
A. Messerer: Lekce klasického tance, 1967 Moskva;
W.Warren: Classical Ballet Technique, 1989 Florida;
S. Schorer: Balanchine Technique, 1999 New York;
S. Lifar: Traité de Danse Academique;
C.W.Beaumont: Theory and Practice of Theatrical Dancing (Cecchetti Method), 1932 Londýn.
Assessment methods and criteria
Credit is awarded based on active participation - 90% attendance.
Course web page
Výuka
předmětu
je
podporována
e-learningovou
formou.
http://moodle.amu.cz/course/view.php?id=310
Note
none
Further information
Course may be repeated
Schedule for winter semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Thu | 12:30–14:00 | Mahulena KŘENKOVÁ | white studio Hartigovský palác |
parallel1 |
Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Choreography (Bc) (required optional subject, optional subject)
- Choreography (Mg) (required optional subject)
- Dance Pedagogy (Bc) (required subject with the possibility of repeat registration, optional subject)
- Dance Pedagogy (Bc) - Classical Dance (required subject with the possibility of repeat registration, optional subject)
- Dance Pedagogy (Bc) - Modern Dance (required subject with the possibility of repeat registration, optional subject)
- Dance Pedagogy (Bc) - Folk Dance (required subject with the possibility of repeat registration, optional subject)
- Dance Pedagogy (Mg) (required optional subject)
- Dance Pedagogy (Mg) - Classical Dance (required optional subject)
- Dance Pedagogy (Mg) - Contemporary Dance (required optional subject)
- Dance Pedagogy (Mg) - Folk Dance (required optional subject)
- Dance Theory (Bc) (required optional subject, optional subject)
- Dance Theory (Mg) (optional subject)