Folk Dance Training 2
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 107TLT2 | Z | 2 | 2T | Czech | summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
Mastery of dances and their variations from Bohemia, Moravia and Silesia with emphasis on a knowledge of regional characteristics.
Mode of study
exercises
Prerequisites and co-requisites
Active participation in lessons. Creation of a warm-up for folk dance technique and knowledge of a selected dance.
Course contents
Expansion of knowledge of dance steps and their variations: Students are introduced to additional dance steps and their regions. Effort is made to match the character of the step as much as possible. Steps are practiced in larger and smaller phrases and complicated floor movements. Dance steps: Lachian Polka, Elements of the Wallachian and Lachian Odzemek, Verbuňk figures, Mazur Polka, Russian Polka and other special dance steps.
Step material in regional characters: For each individual region a movement training is prepared which the students go through before studying the entire dance from a given region. Performing this step in various folklore regions maz be very diverse and so the student has the opportunity to learn that diversity. This is the foundation stone of the color of our folk dance.
Dances of other regions and their local variations: The most typical regional dances are covered individually: Central Bohemia - Dupák, Pětičtvrteční, Kalamajka: Central Bohemia - Křižák, Ruská Polka (two reels): West Bohemia - Furiant, Rokycanská, Pantoflíčky, Talián: Southern Bohemia - Doudlebská Polka, Přibíračka: Silesia - Čihaný, Vrtek: Lachia - Dratenik, Ondraš, Dymak, Kohut: Wallachian - Jánošík, Starodávný, Raubšícký, Šotyška: Moravia-Slovakia - Sedlácké, Verbuňk. Some dances have multiple variations. We compare them and subsequently enrich our ideas, adjusments and changes appropriate for the given dance.
Recommended or required reading
Bonuš, František; Kos, Bohumil; Mišurec, Zdenek: Zbojnické písně a tance, Praha 1953.
Seidl, Jan; Špičák, Josef: Zahrajte mi do kola, Praha 1945.
Kos, Bohumil: Lidové tance ve školní tělesné výchově, SPN Praha 1983.
Jelínková, Zdenka: Valašské tance, Praha 1954.
Jelínková, Zdenka: Lidové tance z Kopanic, Brno 1957.
Socha, Vincenc: Lašské tance, vlastní náklad 1950.
Janáček, Leoš: Národní tance na Moravě, Praha 1987.
Assessment methods and criteria
Credit is awarded based on:
activity in exercises
Note
none
Further information
Course may be repeated
Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Thu | 09:00–10:30 | Marie FRIČOVÁ | white studio Hartigovský palác |
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The subject is a part of the following study plans
- Choreography (Bc) (required optional subject, optional subject)
- Choreography (Mg) (required optional subject)
- Dance Pedagogy (Bc) (required subject with the possibility of repeat registration, optional subject)
- Dance Pedagogy (Bc) - Classical Dance (required subject with the possibility of repeat registration, optional subject)
- Dance Pedagogy (Bc) - Modern Dance (required subject with the possibility of repeat registration, optional subject)
- Dance Pedagogy (Bc) - Folk Dance (required subject with the possibility of repeat registration, optional subject)
- Dance Pedagogy (Mg) (required optional subject)
- Dance Pedagogy (Mg) - Classical Dance (required optional subject)
- Dance Pedagogy (Mg) - Contemporary Dance (required optional subject)
- Dance Pedagogy (Mg) - Folk Dance (required optional subject)
- Dance Theory (Bc) (required optional subject, optional subject)
- Dance Theory (Mg) (optional subject)