Video Seminar 1
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 107VS1 | Z | 2 | 2T | Czech | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
The task of the course is to align the knowledge level of the students in dance history. This should enrich their to-date theory knowledge at the visual level and provide them with the basics for analytical work with a staging.
Mode of study
discussions, analysis of media recordings.
Prerequisites and co-requisites
None
Course contents
In the first semester the instruction focuses primarily on the introduction of dance staging documenting this historical development of the study. Considering the availability of film material, the course focuses primarily on the Baroque theatre period, the location of dance in it, including an introduction to theatre, machinery, etc. The pre-Romantic ballet period (historicizing this version of ballet is futililty); the romatic period is extensively represented including issues in training and a presentation of Romantic ballet references. The semester closes with an introduction to the phases of late-Romantic ballet (ex: thorugh modern versions of the ballet Excelsior).
Recommended or required reading
Video recordings:
Mary Skipping and her work at the Baroque Theatre in Drottningholm, Sweden.
Zdravý nemocný; Moliéra, Lully, Poéme Harmonique, Festival v Nice 2004
Pas de deux z divertissementa z opery Robert ďábel; A.Mendez, G.Meyerbeer, Alicia Alonso, Londýn 1989
La Sylphide; Fpierre Lacotte, Jean Schneidzhoefer, ND Praha 1988
La Sylphide; Augusr Bournonville, H.Lovenskjold, Londýnský festivalový balet 1982
Creole Giselle; Frederic Frenklin podle J Perrota aj.Coralliho, Dance Theatre of Harlem 1985
Marná opatrnost; Ivo Cramer podle verze Jeana Daubervala, francouzské lidové písně, Balet opery v Nice 1987
Marná opatrnost; Hains Spoerli, (klasická verze) J.F.Hérold, P.L.Hertel, Basilejsý balet 1986
Russian ballet v Mariinsky Theatre in Petrograd and the Bolshoi v Moscow, Petipovy balety (excerpts)
Excelsior; Luigi Marotti, Romualdo Marenco, ( + text české verze od Jaroslava Vrchlického), La Scalla 2000
Balety Michaila Fokina: Polovecké tance (Kníže Igor); A.P.Borodin, Mariinské divadlo 1989
Les Sylphides; Frederic Chopin, ABT 1986
Duch růže; Carl Maris von Weber, pařížská Opera 1991
Petruška; I.F.Stravinskij, pařížská Opera 1991
Balety Václava Nijinského: Faunovo odpoledne; Claude Debussy, pařížská Opera 1991
Svěcení jara; I.F.Stravinskij, The Joffrey ballet, 1992
Gaite Parisienne; Leonid Mjasin, J.Offenbach, Balets Russes de Monte Carlo 1950
Mademoiselle Fifi; Zacharij Zolov, La Farte, Alexandra Danilova, Kanada 1951
Assessment methods and criteria
Credit is awarded based on:
activity in class, viewing all presented recordings.
Note
none
Schedule for winter semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Mon | 10:45–12:15 | Elvíra NĚMEČKOVÁ | computer's classroom Hartigovský palác |
lecture parallel1 |
Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Choreography (Bc) (required subject with the possibility of repeat registration)
- Choreography (Mg) (optional subject)
- Dance Pedagogy (Bc) (required subject with the possibility of repeat registration)
- Dance Pedagogy (Bc) - Classical Dance (required subject with the possibility of repeat registration)
- Dance Pedagogy (Bc) - Modern Dance (required subject with the possibility of repeat registration)
- Dance Pedagogy (Bc) - Folk Dance (required subject with the possibility of repeat registration)
- Dance Theory (Bc) (required subject with the possibility of repeat registration)