Music History 5
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 108DHU5 | ZK | 4 | 2T | Czech | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
Presentation of the history of European music of the 1st half of the 20th century (from 1918 to the Second World War).
Mode of study
Lecture
Prerequisites and co-requisites
Completion of History of Music 4. No other requirements.
Course contents
A required course for all music and music theory studies at HAMU. Two hours per week in the Winter semester of the second year of bachelor's study. Instruction is concluded with credit from the lecture material of the Winter semester (History of Music 3) and Summer semester.
Series 1: European Music Development in the 1920s. Rise of the Avant garde and it relationship to tradition. Series 2: The Viennese School, The Paris Six, Beginnings of working with non-music sounds (futurism, Varese). Situation in the Soviet Union. Series 3: Situation of music composition in The Czechoslovak Republic, relationship to national tradition and the European Avant Garde. Martinů
Recommended or required reading
Abraham, Gerald: Stručné dejiny hudby.- Bratislava 2003 (překlad z angl.)
Danuser, Hermann: Die Musik des 20. Jahrhunderts. Neues Handbuch der Musikwissenschaft, Bd.7, Laaber 1984
Einstein, Alfred: Geschichte der Musik.- 1Leipzig 1917-18, poté řada dalších vydání
Bek, Josef: Světová hudba 20. století.- Praha 1968
Burešová, Alena: Pavel Bořkovec.- Olomouc 1994
Burian, Karel V.: Puccini a jeho doba.- Praha 1968
Danilovič, L.D.: Dmitrij Šostakovič.- Moskva 1958
Deppisch, Walter: Richard Strauss.- Hamburg 111991
Helfert, Vladimír: Česká moderní hudba.- Olomouc 1936, nově in V.H.: Studie o hudební tvořivosti, Praha 1971
Bek, Josef: Hudební neoklasicismus.- Praha 1982
Faltin, Peter: Igor Stravinskij.- Bratislava 1965
Helfert, Vladimír: Česká moderní hudba.- Olomouc 1936, nově in V.H.: Studie o hudební tvořivosti, Praha 1971
Group authorship: Dějiny české hudební kultury 1890-1945.- 1.díl: 1890-1918, Praha 1972 // 2. díl 1918-1945, Praha 1981
Mihule, Jaroslav: Bohuslav Martinů. Profil života díla.- Praha 1974
Mihule, Jaroslav: Bohuslav Martinů.Osud skladatele.- Praha 2002
Smolka, Jaroslav: Česká hudba našeho století.- Praha 1961
Smolka, Jaroslav: Česká kantáta a oratorium.- Praha-Bratislava 1970
Stuckenschmidt, Hans Heinz: Arnold Schönberg.- Praha 1971
A more detailed list of recommended study literature is on the HAMU Music History and Theory Dept. website.
Assessment methods and criteria
An exam at the end of the Summer semester on the lecture material from the Winter and Summer semesters. The conditions for being allowed to sit the exam is a reading of at least two of the recommended study material for the History of Music 3 and 4. The student in the exam presents their completed written abstract from at least one of the studied books.
Note
none
Schedule for winter semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Thu | 13:40–15:10 | Jaromír HAVLÍK | Učebna 2017 Lichenštejnský palác |
lecture parallel1 |
Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Composition (Bc) (required subject with the possibility of repeat registration)
- Conducting (Bc) (required subject with the possibility of repeat registration)
- Operatic Directing (Bc) (required subject with the possibility of repeat registration)
- Voice (Bc) (required subject with the possibility of repeat registration)
- Harpsichord (Bc) (required subject with the possibility of repeat registration)
- Piano (Bc) (required subject with the possibility of repeat registration)
- Organ (Bc) (required subject with the possibility of repeat registration)
- Harp (Bc) (required subject with the possibility of repeat registration)
- Violin (Bc) (required subject with the possibility of repeat registration)
- Double Bass (Bc) (required subject with the possibility of repeat registration)
- Guitar (Bc) (required subject with the possibility of repeat registration)
- Cello (Bc) (required subject with the possibility of repeat registration)
- Viola (Bc) (required subject with the possibility of repeat registration)
- Bassoon (Bc) (required subject with the possibility of repeat registration)
- Flute (Bc) (required subject with the possibility of repeat registration)
- Oboe (Bc) (required subject with the possibility of repeat registration)
- Clarinet (Bc) (required subject with the possibility of repeat registration)
- French Horn (Bc) (required subject with the possibility of repeat registration)
- Trombone (Bc) (required subject with the possibility of repeat registration)
- Trumpet (Bc) (required subject with the possibility of repeat registration)
- Tuba (Bc) (required subject with the possibility of repeat registration)
- Music Production (Bc) - 2016/17 (required subject with the possibility of repeat registration)
- Music Directing (Bc) (required subject with the possibility of repeat registration)
- Sound Design (Bc) (required subject with the possibility of repeat registration)
- Percussion Instruments (Bc) (required subject with the possibility of repeat registration)
- Percussion Instruments-Jazz (Bc) (required subject with the possibility of repeat registration)
- Double Bass-Jazz (Bc) (required subject with the possibility of repeat registration)
- Piano-Jazz (Bc) (required subject with the possibility of repeat registration)
- Guitar-Jazz (Bc) (required subject with the possibility of repeat registration)
- Saxophone-Jazz (Bc) (required subject with the possibility of repeat registration)
- Music Theory (Bc) (required subject with the possibility of repeat registration)