Film Gag Pixelation 2
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
109FGP2 | ZK | 3 | 4T | Czech | summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
This course introduces student to the expression tools of film as they have changed from the beginning of silent film to the present with consideration of the most massive media - television and various genres and technologies (feature film, animated film, documentary film, etc.). Upon completion of the year's series the students should have acquired an overview of the particulars of filmmaking differing from the creation of theatreand be able to verbally define their production intentions as a simple script. The difference beteween film and theatre in manners of communication. To introduce individual components of a film. To inspire students to their own creations.
Mode of study
Classes
shooting
analysis and reflection upon the creation
Prerequisites and co-requisites
Creativity and review skills.
Course contents
- Subject, script:
- path from idea to subject matter,
- film narration
- literary and technical script
- various approaches to the script, to actors
- Directing
- definition of directing
- various approaches of the director and the collaboration of the director with the scriptwriter
- relationship with the cameraman
- various approaches to the script, to actors
- Camera
- the camera as a tool
- interaction of the cameraman and director
- the photographic image, lighting
- take size, camera movement, axis
- take size, camera movement and p.
- Editing:
- assembly and its types
- parallel events
- interpunctuation in film
Editing - history of assembly, modern editing, manners of joining takes, etc.
- Sound in film:
- music, composed music
- sound, real sounds
- synchronization
- post-synchronization
- mixing
Sound and music - real sounds, post-synchronization, associative music and sounds, etc.
Todays recording practice
Documentary film and its present
Animated film - types - pixelization
Recommended or required reading
Plažewski J.: Filmová řeč
Roček Jaroslav: Filmová tvorba, řemeslo
Kerr Walter: Jak napsat hru
Chaplin Charles: Můj životopis
FAMU textbooks.
Assessment methods and criteria
Credit will be awarded based on attendance in class and completion of the final paper.
Note
No info
Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Non-Verbal Theatre (Mg) (required main subject)