Theory of Sound Production 5
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 171TZT5 | ZK | 2 | 1T | Czech | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
Course content creates a greater aspect of creative work with sound in uniting and comparing general aesthetic, psychological and artistic perspectives with technical conditions of contemporary sound design considering the arts profile of the listener and requirements of instruction in sound.
Mode of study
contact instruction
Prerequisites and co-requisites
Knowledge of general sound design theory at the bachelor's level of Sound Design at HAMU.
Course contents
The composition of a sound work and its dramaturgy.
Sound contrast and unity, gradation, stagnation and degradation of sound information.
The techtonics of a sound work, sound rhythm and interpunctuation, repetition and retrace.
Time expansion, compression and freezing sound, time, transition, edit and jump.
Timing sound information, time and content capacity of a sound surface.
Quantitative and qualitative stylizations, idealization and deformation of sound information
Sound effects and aesthetics of sound deformation
Recommended or required reading
Syrový Václav, Teorie zvukové tvorby, rukopisné poznámky, 2006
Assessment methods and criteria
Activity in lectures.
Note
none
Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Sound Design (Mg) (required main subject)