The melodic percussion Instruments 6
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 173MBIC6 | Z | 3 | 1T | Czech | summer |
Subject guarantor
Name of lecturer(s)
Radek KRAMPL, Daniel MIKOLÁŠEK
Learning outcomes of the course unit
Excellent mastery of two and four mallet technique on the Marimba and Vibraphone. Building a concert repertoire of solo and chamber compositions for melodic percussion instruments from proven 20th century international compositions (K. Abe, N.J.Živković, etc.), as well as from the area of experimental music - current and previous with a view to the preferences of individual students.
Mode of study
Regular individual consultations
Prerequisites and co-requisites
No prerequisites.
Course contents
Expanding two and four mallet playing techniques - traditional and „Stevens“ holding methods.
Building a solo, primarily Marimba, repertoire:
A/ Transcription (developing musicality)
B/ Original compositions for Marimba, Vibraphone and other melodic percussion instruments (the basis of a concert repertoire)
C/ Compositions whose composers are renowned performers - Percussionists (an extended use of technical and sound potential)
Recommended or required reading
G. Burton: Jazz Solos
A. Miyoshi: Torse III
S. Reich: Wooden music
I. Loudová: Ztracený Orfeus
D. Friedman: Pedaling and dampening etudes
K. Moszumanska-Nazar: 3 Koncert etudes
A. Miyoshi: Conversation
K. Abe: Works for Marimba I; Michi Paraphrase; Variations on Dowland`s LachrimaePavane; Meniscus for Marimba; Variations on Japanese Children?s Songs
G.Stout- Two Mexican Dances for Marimba
C. O. Musser - Etude op.11 No.4
PITFIELD -SONATA
Akira Miyoshi - Conversation
J.S.Bach -Violin Sonatas; Prelude and Menuet; Six Cello Suites (Bärenreiter Urtext Edition)
Maki. Ishii -Hiten Seido ?- for marimba solo
Toshi.Ichiyanagi -The Source
Yasuo.Sueyoshi - Mirage for Marimba
Toshimitsu.Tanaka - Two Movement for Marimba
Akemi.Naito - Memory of the Woods for solo Marimba
Tokuhide,Niimi- For Marimba II
Minoru. Miki - Time for Marimba
Kazunori. Miyake - Chain
Paul Creston - Concertino for Marimba
Eric Sammut ? Caméléon
John Thrower ? True Colours (short version)
N. J. Zivkovic ? Ilijas; Uneven Souls
Mark Ford ? Kingdome Lore Fanfare; Polaris; Afta Stuba
Jacob Druckman ? Reflections on the Nature of Water (single movements possible)
Joseph Schwantner ? Velocities
Andrew Thomas ? Merlin
Alejandro Vinao ? Khan Variations
Paul Lansky ? Three Moves for Marimba
Saul Consention ?Tango for Gary
Igor Lesnik ?Neenah
Christopher Norton ?November Evening
Paul Smadbeck ? Virginia Tate
Markus halt-Marimbics
Anna Ignatowicz ?Toccata
Joz Metzger ? Spirial Passages
Guillo Espel ?Zamna para Escuchar Tu Silencio
Michael Burritt ? Caritas
Eckhard Kopetzki ? Three movements for a solo dancer
David Edgar Brown- Robert`s Park
Chin Cheng Lin- Kaleidoscope
Kaplan Adolpho- Iioi
Joseph Schwantner ? Velocities
Bruno Matovani ? Moi, Jeu
Ludwig Albert ?Nimbostrantus
Yoshihisa Taira- Convergence
L.H.Stevens ?Rhytmic Caprice
Assessment methods and criteria
Initiative and creative approach throughout the entire semester, performance at the study year concert (Instructor evaluation).
Note
Nejsou.
Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Percussion Instruments (Bc) (required main subject)