The melodic percussion Instruments-Jazz 3
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 174MLBJ3 | Z | 2 | 1T | Czech | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
Excellent mastery of two and four mallet technique on the Marimba and Vibraphone. Building a concert repertoire of solo and chamber compositions for melodic percussion instruments from proven 20th century international compositions (K. Abe, N.J.Živković, etc.), as well as from the area of experimental music - current and previous with a view to the preferences of individual students.
Mode of study
Regular individual consultations
Prerequisites and co-requisites
No prerequisites.
Course contents
Expanding two and four mallet playing techniques - traditional and „Stevens“ holding methods.
Building a solo, primarily Marimba, repertoire:
A/ Transcription (developing musicality)
B/ Original compositions for Marimba, Vibraphone and other melodic percussion instruments (the basis of a concert repertoire)
C/ Compositions whose composers are renowned performers - Percussionists (an extended use of technical and sound potential)
Recommended or required reading
D. Friedman: Pedaling and dampening etudes
K. Moszumanska-Nazar: 3 Koncert etudes
A. Miyoshi: Conversation
K. Abe: Works for Marimba I; Michi Paraphrase; Variations on Dowland`s LachrimaePavane; Meniscus for Marimba; Variations on Japanese Children?s Songs
G.Stout- Two Mexican Dances for Marimba
C. O. Musser - Etude op.11 No.4
PITFIELD -SONATA
Akira Miyoshi - Conversation
J.S.Bach -Violin Sonatas; Prelude and Menuet; Six Cello Suites (Bärenreiter Urtext Edition)
Maki. Ishii -Hiten Seido ?- for marimba solo
Toshi.Ichiyanagi -The Source
Yasuo.Sueyoshi - Mirage for Marimba
Toshimitsu.Tanaka - Two Movement for Marimba
Akemi.Naito - Memory of the Woods for solo Marimba
Tokuhide,Niimi- For Marimba II
Minoru. Miki - Time for Marimba
Kazunori. Miyake - Chain
Paul Creston - Concertino for Marimba
Eric Sammut ? Caméléon
John Thrower ? True Colours (short version)
N. J. Zivkovic ? Ilijas; Uneven Souls
Mark Ford ? Kingdome Lore Fanfare; Polaris; Afta Stuba
Jacob Druckman ? Reflections on the Nature of Water (single movements possible)
Joseph Schwantner ? Velocities
Andrew Thomas ? Merlin
Alejandro Vinao ? Khan Variations
Paul Lansky ? Three Moves for Marimba
Saul Consention ?Tango for Gary
Igor Lesnik ?Neenah
Christopher Norton ?November Evening
Paul Smadbeck ? Virginia Tate
Markus halt-Marimbics
Anna Ignatowicz ?Toccata
Joz Metzger ? Spirial Passages
Guillo Espel ?Zamna para Escuchar Tu Silencio
Michael Burritt ? Caritas
Eckhard Kopetzki ? Three movements for a solo dancer
David Edgar Brown- Robert`s Park
Chin Cheng Lin- Kaleidoscope
Kaplan Adolpho- Iioi
Joseph Schwantner ? Velocities
Bruno Matovani ? Moi, Jeu
Ludwig Albert ?Nimbostrantus
Yoshihisa Taira- Convergence
L.H.Stevens ?Rhytmic Caprice
Assessment methods and criteria
Initiative and creative approach throughout the whole semester (Instructor assessment)
Note
none
Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Percussion Instruments-Jazz (Bc) (optional subject)