Compositions Study for Composition 6
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 186SSS6 | ZK | 2 | 2T | Czech | summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
Knowledge of the widest range of the latest domestic and foreign compositions.
Mode of study
Lecture, score listenings, discussion, concert attendance
Prerequisites and co-requisites
General knowledge of 20th Century music compostions in Bohemia and around the world.
Course contents
A description of the instruction material originates in the course assignments of individual students. Each student is obligated, during the semester, to at least once present a paper and participate in discussions about the papers of other students. At the end of the year each student submits a course paper documenting in written form the results of their analysis.
Recommended or required reading
BERNARD, Jonathan W. The Evolution of Elliott Carter's Rhythmic Practice. Perspectives of New Music, Vol. 26, No. 2 (Summer, 1988), pp. 164-203. Stable URL: http://www.jstor.org/stable/833189
Cage, John. Silence. Praha: tranzitdispay, 2010.
Elliott Carter : collected essays and lectures, 1937-1995. Ed. Jonathan W. Bernard. Rochester : University of Rochester Press, 1997.
de Leeuw, Ton. Music of the twentieth century: a study of its elements and structure. Amsterdam : Amsterdam University Press , 2005.
DeLio, Thomas, Saunders Smith, Stuart. Twentieth-Century Music Scores. Englewood Cliffs,
NY: Prentice Hall, 1989.
Engaging music : essays in music analysis. Ed. Stein, D. Oxford University Press, 2005.
Grafické partitury a koncepty : Graphic scores and concepts. Praha : Audio ego , 1996.
Janeček, Karel. Tektonika. Praha : Supraphon, 1968.
Kofroň, Petr: Třináct analýz - HaH Jinočany, 1993.
Kostka, Stefan. Materials and techniques of twentieth-century music. New Jersey : Prentice Hall, c2006.
Lester, Joel. Analytic approaches to twentieth-century music. New York: W.W. Norton, 1989.
London, J. Hearing in Time : Psychological Aspects of Musical Meter. Oxford : Oxford University Press, 2004.
Loudová, Ivana. Moderní notace a její interpretace, Praha : Nakladatelství AMU, 1998.
Nové cesty hudby I. Praha : SHV, 1964.
Nové cesty hudby II. Praha-Bratislava : Supraphon, 1970.
Orchestrace jako proces (kolektiv autorů – katedra skladby HAMU)
Parsch, Arnošt, Piňos, Alois, Šťastný, Jaroslav: Náhoda, princip, systém, řád. Brno: JAMU, 2005.
Reina, Rafael. Applying Karnatic Rhythmical Techniques to Western Music. London, New York : Routledge, 2016. ISBN: 978-1-4724-5150-7
Risinger, Karel. Hierarchie hudebních celků v novodobé evropské hudbě. Praha : Panton, 1969.
Simms, Bryan R. Music of the twentieth century : an anthology. Vydáno: New Jersey : Schirmer , 1986
-------------------- Music of the twentieth century : style and structure. New Jersey : Schirmer , 1996
Tichý, Vladimír. Úvod do studia hudební kinetiky. Praha : HAMU, 1994.
XENAKIS, Iannis. Formalized music. Hillsdale : Pendragon Press, 1992.
http://www.univ-montp3.fr/~solomos/oniannis.html
Notové materiály a nahrávky analyzovaných skladeb.
Assessment methods and criteria
Credit is awarded based on participation in class, development and presentation of a semester paper which is presented in class.
Overall grading is comprised of 60% for class participation and 40% for the paper presentation.
Note
None.
Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Composition-Specialization electroacoustic music (Mg) (required subject with the possibility of repeat registration)
- Composition-Specialization Film Music (Mg) (required subject with the possibility of repeat registration)
- Composition-Specialization Composition (Mg) (required subject with the possibility of repeat registration)