Theory of Composition 6
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 186TS6 | ZK | 2 | 2T | Czech | summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
An understanding of contemporary theoretical works regarding music analysis and composition.
Mode of study
Lectures and analysis of provided materials. Student self-study according to the instructor.
Prerequisites and co-requisites
The text is in preparation.
Regular attendance and active participation in discussions. Study of assigned literature for the final test.
Course contents
Elliot Carter
Non-european rhythms.
Indeterminism.
Iannis Xenakis.
Recommended or required reading
BERNARD, Jonathan W. The Evolution of Elliott Carter's Rhythmic Practice. Perspectives of New Music, Vol. 26, No. 2 (Summer, 1988), pp. 164-203. Stable URL: http://www.jstor.org/stable/833189
Double concerto : for harpsichord and piano with two chamber orchestras
Cage, John. Silence. Praha: tranzitdispay, 2010
Elliott Carter : collected essays and lectures, 1937-1995. Ed. Jonathan W. Bernard. Rochester : University of Rochester Press, 1997.
Double concerto : for harpsichord and piano with two chamber orchestras
Grafické partitury a koncepty : Graphic scores and concepts. Praha : Audio ego , 1996.
Reina, Rafael. Applying Karnatic Rhythmical Techniques to Western Music. London, New York : Routledge, 2016. ISBN: 978-1-4724-5150-7
XENAKIS, Iannis. Formalized music. Hillsdale : Pendragon Press, 1992.
http://www.univ-montp3.fr/~solomos/oniannis.html
Assessment methods and criteria
Active participation in discussions and the final test.
Note
None.
Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Thu | 10:20–11:50 | Iva OPLIŠTILOVÁ | Učebna 2057 Lichenštejnský palác |
lecture parallel1 |
The subject is a part of the following study plans
- Composition-Specialization electroacoustic music (Mg) (required subject with the possibility of repeat registration)
- Composition-Specialization Film Music (Mg) (required subject with the possibility of repeat registration)
- Composition-Specialization Composition (Mg) (required subject with the possibility of repeat registration)