Dramaturgy of Post-dramatic Theatre 1
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 201PDR1 | Z | 2 | 2T | Czech | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
The aim of the lecture series and analysis classes is to, in part, orient students in the issues of „fashionable theatre post-modernity“ which includes contemporary theatre discourse, and provides analytical tools enabling for a critical approach for reviewing works and allows for the distinguishing of creative originals from conventialized „alternative“ eclectivism.
Issues:
Drama objectivity and post-dramatic subjectivism.
Chronotopic collapse of a post-dramatic piece.
Lyotard's crisis of narration and post-modern scepticism towards a story
Drama character crisis: from the inter-subjective presentation to intra-subjective self-experience
Distrust towards a causual nexus, synchronicity and chaos theory.
Logo and depiction. text crisis. depiction ambiguity. Performance and installation.
Story and time.
Basic works:
August Stridberg: A Dream Play, Eugene Ionesco: Exit The King, Roland Schimmelpfenig: Arabian Night, Sarah Kane: Psychsis 4.48, Tadeusz Kantor: Wielopole, Wielopole,
Andrej Tarkovskij: The Mirror, Christoph Marthaler: Murx den Europaener!
Mode of study
Lectures, classes, written review and its defense.
Prerequisites and co-requisites
Completion of the course Theatre in the History of Western Culture, Theatre in the History of Czech Culture (or the lecture series in the History of Theatre in the Context of Western Culture I. & II.).
Course contents
Students are introduced to some aspects of post-drama theatre through lectures devoted to partial issues in the composition and structure of important works arranged in that theatre trend. The students learn with these works in independent study and in screenings and analyses during lectures. For students in creative studies, aside from inspiration, should contribute to an awareness of new limits and the responsibility of the artistic element of a theatre piece, particularly, dramaturgy, directing and set-design.
Recommended or required reading
Recommended or required reading:
Aristoteles: Poetika, překlad M. Mráz, Praha 2008
Zich, Otakar: Estetika dramatického umění, Praha 1968
Fischer-Lichte, Erika: Estetika performativity, Mníšek pod Brdy 2011
Petříček, Miroslav: Myšlení obrazem, Praha 2009
Lehmann, Hans Thies: Postdramatické divadlo, Bratislava 2007
Knopová, Elena: Svet kontroverznej drámy, Bratislava 2011
Lyotard, Jean Francois: O postmodernismu, Praha 1993
Prigogine, Ilja, Stengerssova, Isabella: Řád z chaosu, Praha 2001
Syřišťová, Eva: Puklý čas, Praha 2005
Assessment methods and criteria
80% attendance, activity in class, paper.
Note
Tasks will be assigned by the instructor in class.
Further information
This course is an elective for all students of this school
Schedule for winter semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Mon | 17:30–19:00 | Jan VEDRAL | Hallerův sál Karlova 26, Praha 1 |
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Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Dramaturgy for Dramatic Theatre (M.A.) (optional subject)
- Directing and Dramaturgy for Dramatic Theatre (B.A.) (required subject)
- Directing for Dramatic Theatre (M.A.) (optional subject)
- Theory and criticism (B.A.) (optional subject)
- Theory and criticism (M.A.) (optional subject)