Training 2

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Subject guarantor

Martin PACEK

Name of lecturer(s)

Eva ORNSTOVÁ, Martin PACEK

Learning outcomes of the course unit

In these classes student create a relationship in the course and build a path towards work on themselves. These are the principles: Regularity, sufficient intensity both in physical investment and concetration. An understanding of the relationship of movement classes of acting practice.

Movement habits are learned. A basic concept of the structure and function of one's own body is created, creation of the relationship between music and one's bearing in it.

Mode of study

Exercises.

Prerequisites and co-requisites

Study is linked to 201TRE1.

Course contents

Syllabus:

One of the basic tasks of training is the elimination of bad habits. The lessons work on the basics of certain dance techniques like dance gymnastics, Martha Graham technique, Jose Limon technique, pantomime, jazz dance, body tone and ballet. The result should be perfect mastery of the body as an important acting tool.

Recommended or required reading

Kroschlová Eva, Jevištní pohyb, Divadelní fakulta AMU, Praha 2003

Kulka J., Psychologie pro herce SPN, Praha 1985.

Payneová H., Kreativní pohyb a tanec, Praha 1999

Vávra V., Mluvíme beze slov, Praha 1960

Kyliánova nadace: Videozáznamy představení předních umělců, kteří propojují herectví s pohybem či tancem

Vostrý J., O hereckém představování, metodická příručka 1983

Assessment methods and criteria

Credit is awarded based on activity in class, (85% attendance) and the final summary work.

Schedule for winter semester 2018/2019:

The schedule has not yet been prepared

Schedule for summer semester 2018/2019:

• Week view
• List

The subject is a part of the following study plans

• Acting for Dramatic Theatre (M.A.) (required subject)