Training 3

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Subject guarantor

Martin PACEK

Name of lecturer(s)

Zuzana ŠIMÁKOVÁ

Learning outcomes of the course unit

In these classes the relationship to the subject is consolidated and a path is built to systematic work on oneself. The principles are: regularity, sufficent intensity, well-thought physical investment and concentration. An understanding of the relationship of movement classes with acting. Learning movement habits. Creating a fundamental concept of the structure and function of one's body (creating one's concept of the body), creating a relationship to music and a bearing in it.

Mode of study

Exercises.

Prerequisites and co-requisites

Continuation of 201TRE1 and 201TRE2.

Course contents

Syllabus:

The lessons work on the basics of certain dance techniques like dance gymnastics, Martha Graham technique, Jose Limon technique, pantomime, jazz dance and ballet. The result should be the perfect mastery of the body as an important acting tool.

Recommended or required reading

Kroschlová Eva, Jevištní pohyb, Divadelní fakulta AMU, Praha 2003

Kulka J., Psychologie pro herce SPN, Praha 1985.

Payneová H., Kreativní pohyb a tanec, Praha 1999

Vávra V., Mluvíme beze slov, Praha 1960

Kyliánova nadace: Videozáznamy představení předních umělců, kteří propojují herectví s pohybem či tancem

Vostrý J., O hereckém představování, metodická příručka 1983

Assessment methods and criteria

Credit is awarded based on active participation in class, (80% attendance) and the final summary exam.

Schedule for winter semester 2018/2019:

• Week view
• List

Schedule for summer semester 2018/2019:

The schedule has not yet been prepared

The subject is a part of the following study plans

• Acting for Dramatic Theatre (M.A.) (required subject)