Training for movement 3

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Subject guarantor

Petra OSWALDOVÁ

Name of lecturer(s)

Petra OSWALDOVÁ

Learning outcomes of the course unit

The mask phenomena

„Neutral“ masks - expressing emotion and the status of the whole body - perception of quiet and space.

„Character“ masks - expressing a character with the entire body - manner of behaviour in a space and given situation.

Mode of study

Regular weekly meetings of the entire study-year in the grand hall use of a large space for moving feedback on individual movement assignments:

How I see myself - one's own eye.

How I appear - they eye from the outside.

Camera recordings to return to.

Prerequisites and co-requisites

Body-mind health, coordinated movement, feeling for space, movement imagination.

Course contents

„Neutral“ mask position raised searching for the idea that the eyes are there where my mask is (high over the forehead)

On the face,

calm-perception of time and space,

breathing,

movement dynamics,

elasticity of movement.

Character mask on the face

Central and peripheral back movement, manners of walking, setting the head, are inspirations in seaching for character types.

Recommended or required reading

Jacques Lecoq Le Corps poétique ACTES SUD-PAPIERS 1999 un enseignement de la création théatrale

H. v. Kleist Tanečník a loutka Praha 1930 (přeložil E. A. Saudek)

Assessment methods and criteria

Credit is awarded based on: class attendance, interest and personal creativity, test, written review.

Schedule for winter semester 2018/2019:

• Week view
• List

Schedule for summer semester 2018/2019:

The schedule has not yet been prepared

The subject is a part of the following study plans

• Authorial Acting (B.A.) (required subject)