Interpretation methods 1
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 207INT1 | Z | 1 | 2T | Czech | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
The student develops, based on theory, their own performance activity applying particular performance methods, procedures and mechanisms. The student demonstrates the abiltiy to implement theory-critique performance theatre stage events in the context of modern considerations and thought on theatre but not only theatre.
Mode of study
Contact.
Prerequisites and co-requisites
Attending selected performances, knowledge of fundamental developmental tendencies in Czech and European theatre criticism.
Course contents
The lectures are devoted to theatre theory methodolgy trends of the 20th century. They offer the characteristics of individual methodology approaches to interpretation on the theatre stage and its reception in performance at the aesthetic and communication levels, under the unifying concpet of a theatre stage event. The first phase of instruction is research and use of original elementary methods of understanding any tme of these events: "A description of individual components, analysis of their connections at the syntagmic and paradigmatic levels and a final presentation of theatre stage events as the arrangement of individual described and analysed events into a whole construct in which is clarified its integrated significance. In futher phases of instruction the key concept of INTERPRETATION appears as the presentation of a particular product, that is, as the result of the interpretation process, which studies and researches various approaches and the potential perception of the viewed event as an sensible event. At the same time developing on a theory basis intepretation activity applying particular interpretation methods, procedures and mechanisms where the student is acquainted with some of the methodology trends of the 20th century such as phenomenology, the sociological approach, receptive aesthetics, semiotics, structuralism, post-structuralism, deconstruction, etc.
Recommended or required reading
Barthes Roland: Kritika a pravda, Českosl. spisovatel, Praha 1968
Ricoeur Paul: Život, pravda, symbol, OIKUMENH, Praha 1993
Eco Umberto: Teória inetrpretácie, Diskur a prebytok významu, Archa Bratislava 1995
Bachtin M. M.: Formální metoda v literární vědě.Kritický úvod do sociologické poetiky, Lidové nakladatelství, Praha 1980
Čtenář jako výzva. Výbor z prací kostnické školy recepční estetiky, Brno 2001
Michailovič Peter, Minár Pavol: Úvod do štrukturalismu a a postštrukturalismu, Iris, Bratislava 1997
Jan Mukařovský: Umění jako sémiologický fakt, Studie I, Brno, 2007
Genetika smyslu v Máchově poezii, Studie II, Brno 2007
Tendence v současném myšlení o divadle, JAMU, Brno, 2010,
O intepretácii umeleckého textu 19, sborník studií ÚLUK Filozofickej fakulty v Nitře
Kubínová Marie: Sondy do sémiotiky literárního díla, Akademie věd České republiky, Praha 1995
Milan Jankovič: Dílo jako dění smyslu, Pražská imaginace, Praha 1992
Nesamozřejmost, smyslu, Českolovenský spisovatel, Praha 1991
Na cestě ke smyslu, Torst, Praha 2005
Ivo Osolsobě: Mnoho povyku pro sémiotiku, Nakladatelství „G“, Brno 1992
Semiotika - divadlo - kritika, Slovenské divadlo 40, I., s. 5-11
Antoine Compagnon: Démon teorie. Host, Brno 2009
Petr A. Bílek: Hledání jazyka interpretace, Host, Brno 2003
Assessment methods and criteria
80% attendance, class participation, completion of assigned report. At the close the student completes a paper of 15-20 pages on a theory-critique interpretation of a selected theatre event which is to demonstrate the ability, based on strict and accurate methodology, to comprehend a theatre event that it becomes a real interpretation, as opposed a description, an analysis and presentation which uncovers a range of issues, posing important questions and covers a wider context which delves into the intepreted event.
The student is also able to implement a theory-critique interpretation of a theatre event in relation to contemporary considerations and thought not only of theatre.
Note
If less than 3 students register for the course, it may be cancelled.
Further information
This course is an elective for all AMU students
Schedule for winter semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Theory and criticism (M.A.) (optional subject)