The Sparks of Imagination: From the Filmmaker to the Spectator
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
300MSI | Z | 1 | 2/H | English | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
To understand the interplay between the filmaker?s imagination and the spectator?s relationship to the film.
Mode of study
module
Prerequisites and co-requisites
-
Course contents
Dr. Patrizia Lombardo will lecture on imagination, memory and the role of the spectator in film drawing on themes from the work of her recent book, Memory and Imagination in Film: Scorcese, Lynch, Jarmusch and Van Sant published in 2014. In her book, Lombardo expands upon the intuitions of Baudelaire, proposing a new understanding of cinephilia as the interplay of the memory and the imagination of both filmmakers and spectators. Films by Scorsese, Lynch, Jarmusch and Van Sant are presented as imaginative uses of the history of cinema, as well as the histories of painting, music, literature and photography. Quotations, allusions, and more complex stylistic devices combine to become conscious or unconscious re-elaborations of works from the past and the present. The question of spectators' participation is discussed at length, alongside detailed analysis that aims to disentangle the various elements within specific film sequences.
Recommended or required reading
none
Assessment methods and criteria
100% attendance + one page of summary of the lecture
Note
Životopis přednášejícího: After undergraduate and post-graduate studies in Venice, Oxford, Paris, Patrizia Lombardo received her doctoral degree in 1981 in literature at the Ecole des Hautes Etudes en Sciences Sociales in Paris. She taught at Princeton University, University of Southern California Los Angeles, Pittsburgh University. She teaches French literature, Comparative literature and Film at the University of Geneva. She also leads a research project on Affective Dynamics and Aesthetic Emotions at the Swiss Center for Affective Sciences.
Further information
No schedule has been prepared for this course
The subject is a part of the following study plans
- Scriptwriting and Dramaturgy - Bachelor-1819 (optional subject)
- Scriptwriting and Dramaturgy - Master-1819 (required optional subject, optional subject)
- Scriptwriting and Dramaturgy - Master-1819 (required optional subject, optional subject)
- Film Directing_Bachelor-1718 (optional subject)
- Film Directing - Master-1718 (required optional subject, optional subject)
- Film Directing - Master-1718 (required optional subject, optional subject)
- Documentary Film - Bachelor - 1819 (optional subject)
- Documentary Film - Master - 1819 (required optional subject, optional subject)
- Documentary Film - Master - 1819 (required optional subject, optional subject)
- Cinematography - 1819 (optional subject)
- Cinematography - Bachelor - 1819 (optional subject)
- Cinematography - Master-1819 (optional subject)
- Cinematography - Master-1819 (optional subject)
- Production - Bachelor-1819 (optional subject)
- Production - Master-1819 (required optional subject, optional subject)
- Production - Master-1819 (required optional subject, optional subject)
- Editing - Bachelor-1819 (optional subject)
- Editing - Master-1819 (required optional subject, optional subject)
- Editing - Master-1819 (required optional subject, optional subject)
- Photography CZ - Bachelor - 1819 (optional subject)
- Photography CZ - Master - 1819 (required optional subject, optional subject)
- Photography CZ - Master - 1819 (required optional subject, optional subject)
- Photography EN - Bachelor-1819 (optional subject)
- Photography EN - Master-1819 (optional subject)
- Restoring of Photogrphy (optional subject)
- Sound Design - Bachelor-1819 (optional subject)
- Sound Design - Master-1819 (required optional subject, optional subject)
- Sound Design - Master-1819 (required optional subject, optional subject)
- Animation - Bachelor - 1718 (optional subject)
- Animation - Master - 1718 (required optional subject, optional subject)
- Animation - Master - 1718 (required optional subject, optional subject)
- Cinema and Digital Media - Directing-1819 (optional subject)
- Cinema and Digital Media - Screenwriting-1819 (optional subject)
- Audiovisual Studies - Bachelor - 1819 (optional subject)
- Audiovisual Studies - Master - 1819 (required optional subject, optional subject)
- Audiovisual Studies - Master - 1819 (required optional subject, optional subject)