Media Law and Coproduction
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
305PFK | Z | 2 | 12S | Czech | summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
The aim of the course is to introduce the legal aspects of audio-visual co-production agreements with an emphasis on cross-border co-productions, practical issues in coordinating finance resources considering the legal regulations for co-production relations, European agreements on film co-production and other international agreements regarding film.
Mode of study
Přednáška
Prerequisites and co-requisites
Nejsou žádné znalostní požadavky nutné pro zapsání tohoto předmětu.
Course contents
A one-time module course whose fundamental topic is a summary of legal aspects of audio-visual co-production agreements with an emphasis on cross-border co-productions, practical issues in coordinating finance resources considering the legal regulations of co-production relations, European agreements on film co-production and other international agreements regarding film. The theory section is supplemented by by case studies, a n anlaysis of two recent films with Czech co-production participation. Participation of the producer presenting sources of production financing, development of a financial plan and co-production structure through time.
Recommended or required reading
Evropská úmluva o filmové koprodukci
Assessment methods and criteria
Podmínkou atestace je účast na výuce předmětu.
Further information
Course may be repeated
Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
Date | Day | Time | Tutor | Location | Notes | No. of paralel |
---|---|---|---|---|---|---|
12.04.2019 | 09:00–12:15 | Petr OSTROUCHOV | Room No. 334 Lažanský palác |
lecture parallel1 |
The subject is a part of the following study plans
- Scriptwriting and Dramaturgy - Bachelor-1819 (optional subject)
- Scriptwriting and Dramaturgy - Master-1819 (required optional subject, optional subject)
- Scriptwriting and Dramaturgy - Master-1819 (required optional subject, optional subject)
- Film Directing_Bachelor-1718 (optional subject)
- Film Directing - Master-1718 (required optional subject, optional subject)
- Film Directing - Master-1718 (required optional subject, optional subject)
- Documentary Film - Bachelor - 1819 (optional subject)
- Documentary Film - Master - 1819 (required optional subject, optional subject)
- Documentary Film - Master - 1819 (required optional subject, optional subject)
- Cinematography - Bachelor - 1819 (optional subject)
- Cinematography - Master-1819 (optional subject)
- Cinematography - Master-1819 (optional subject)
- Production - Bachelor-1819 (optional subject)
- Production - Master-1819 (required subject, required optional subject, optional subject)
- Production - Master-1819 (required subject, required optional subject, optional subject)
- Editing - Bachelor-1819 (optional subject)
- Editing - Master-1819 (required optional subject, optional subject)
- Editing - Master-1819 (required optional subject, optional subject)
- Photography CZ - Bachelor - 1819 (optional subject)
- Photography CZ - Master - 1819 (required optional subject, optional subject)
- Photography CZ - Master - 1819 (required optional subject, optional subject)
- Restoring of Photogrphy (optional subject)
- Sound Design - Bachelor-1819 (optional subject)
- Sound Design - Master-1819 (required optional subject, optional subject)
- Sound Design - Master-1819 (required optional subject, optional subject)
- Animation - Bachelor - 1718 (optional subject)
- Animation - Master - 1718 (required optional subject, optional subject)
- Animation - Master - 1718 (required optional subject, optional subject)
- Audiovisual Studies - Bachelor - 1819 (optional subject)
- Audiovisual Studies - Master - 1819 (required optional subject, optional subject)
- Audiovisual Studies - Master - 1819 (required optional subject, optional subject)