The Image at Rest, The Image in Motion 2
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 306OKP2 | Z | 1 | 2T | Czech | summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
Awareness of the issues and uniqueness of the creation process in whch has favored sterile artifacts is now being lost. Taking into account the latent potential of film which as a like a continuously regenerating language, enables and ucovers.
Mode of study
moderated discussions.
Prerequisites and co-requisites
Student ability to perceive of film as a live organism considering all issues which the study of a living manifestation brings with it.
Course contents
A comparative seminar that traces the dynamic relations between the language of film and other language systems. It pays particular attention to the difference between alphabetic thought (language in the narrow sense of the word) and thought in images (going beyond the standard semiological interpretation). The seminar advances the idea of thinking about film as a process and sets it against the reductive perception of film as an artefact.
Recommended or required reading
List of recommended literature::
Antonín Artaud, Divadlo a jeho dvojenec
Gaston Bachelard, Psychoanalýza ohně
Roland Barthes, Camera Lucida
Robert Bresson, Poznámky o kinematografu
Lewis Carroll, Alenka v říši divů
Gilles Deleuze, Film 1: Obraz-pohyb
Vratislav Effenberger, Realita a poesie
Vratislav Effenberger, Surovost života a cynismus fantasie
Jean Epstein, Poetika obrazů
Vilém Flusser, Za filosofii fotografie
Zbyněk Havlíček, Skutečnost snu
Iluminace, časopis pro teorii, historii a estetiku filmu
Vlastimil Jiřík, Film-řeč-obraz
Vlastimil Jiřík, Dialektika kinematografického obrazu a malířského díla
Christian Metz, Imaginární signifikant-psychoanalýza a film
Arthur Rimbaud, Verše
Jan Švankmajer, Hmat a imaginace
Jan Švankmajer, Síla imaginace
List of recommended films:
Robert Bresson, Peníze
Oscar Fischiger, München - Berlin Wanderung
Jean-Luc Godard, Weekend
Jean-Luc Godard, Křestní jméno Karmen
Jean-Luc Godard, Bohužel pro mne
Nicolas Humbert-Werner Penzel, Step Across the Border
Miroslav Janek, Nespatřené
Carlos Saura, Starý dům uprostřed Madridu
Jan Švankmajer, Kostnice
Jan Švankmajer, Zánik domu Usherů
Agnes Varda, Štěstí
Wim Wenders, Stav věcí
Assessment methods and criteria
70% attendance.
Note
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Schedule for winter semester 2018/2019:
The schedule has not yet been prepared
Schedule for summer semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Mon | 17:20–18:55 | Jan DAŇHEL | Room No. 311 Lažanský palác |
parallel1 |
The subject is a part of the following study plans
- Editing - Bachelor-1819 (required subject)