Studio of Imagitative Photography 3
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 307EAIP3 | ZK | 4 | 24S | English | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
This studio is built on two elements: the experience of the students with depicting figures and portraits and on the spontaneous need for free creative experimentation. This the the foundation on which contact and the link to a discussions among students and the studio lead will be built. At the master's study level the studio provides artistic space for student working across genres and creating a comprehensive photographic expression spectrum. This removes the boundaries between graphic, documentary, multi-media and other forms of image communications. Therefore communication itself will be accentuated.
Mode of study
Exercise analysis, projection work in relation to the topic, independent creative work.
Prerequisites and co-requisites
General knowledge of visual art and photography
General knowledge of modern visual arts theory
Analytical abilities
Creativity
Course contents
This studio is built on two starting places: student exprience with depicting figures and portraits, and the spontaneous use of free creative experiment. This is the foundation, on which at the bachelor level, contact and continued dialog between the student and the studio lead is built. In master's study, the studio provides creative space for those working across genres creating an overall photographically expressive spectrum. Here the borders between graphic, documentary, multi-media and other forms of image communication are removed. Therefore the accent is on the communication itself.
In this „autonomous studio“ a single semester exercise is implemented according to assignment by the studio lead. That exercise is not immutable but is to react to the „spirit of the period.“ Emphasis is placed on the thought basis, sensibilities and individual creative attitude of each student which in an interactive dialog with the instructor leads to a creative approach.
The studio lead invites workshop lecturers, figures from photography, film and graphic arts as desired. This workshop is either in a semester or over an entire year according to the schedule determined by the lecturer. The purpose is to confront the student with a wide spectrum of people who present their creative practice experience, their viewpoint, attitude and spirit to the students.
Recommended or required reading
Alberro, Alexander - Norvell, Patricia (ed.): Recording Conceptual Art, Berkeley,
Los Angeles a London: University of California Press, 2001
Alberro, Alexander, Sabeth Buchmann: Art After ConceptualArt, MIT Press,
Cambridge and London, 2006
Fried Michael: Why Photography Matters as Art as Never Before, Yale University
Press, New Haven 2008
Bourriaud, Nicolas: Postprodukce, Praha: Tranzit, 2004
Bourriaud, Nicolas: Relational Aesthetics, Dijon: Les presses du réel, 2002
Cotton Charlotte: The Photography as Contemporary Art, London, Thames
Hudson, 2004
Císař, Karel (ed): Co je to fotografie? Herrmann a synové, Praha 2004
Foster, Hal (ed): Postmodern Culture, London: Pluto Press, 1990
Foster, Hal; Krauss, Rosalind; Bois, Yves-Alain; Buchloh, Benjamin H.D.: Art
since 1900, London: Thames & Hudson, 2004
Michel Frizot: Nouvelle Histoire de la Photographie, Larousse-Bordas, Paris,
1996
Grygar Štěpán, Konceptuální umění a fotografie, Praha, AMU, 2004
Petříček Miroslav: Myšlení obrazem, Herrmann a synové, Praha 2009
Silverio, Robert: Postmoderní fotografie, Praha: AMU, 2007
Liz Wells. The Photography Reader, Routledge, London, 2003
Wall, Jeff: Selected Essays and Interviews, New York: The Museum of Modern
Art, 2007
Assessment methods and criteria
Students may be graded based on attendance 70% and participation in group excursions. Each exercise will be graded according to the criteria given.
Note
none
Schedule for winter semester 2018/2019:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Tue | 09:00–18:00 | Rudolf PREKOP | Studio No. 113 Lažanský palác |
lecture parallel1 |
Schedule for summer semester 2018/2019:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Photography EN - Bachelor-1819 (required optional subject)