Workshop of uncommon photographic techniques
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
307ENFT | ZK | 5 | 13S | English | summer |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
The workshops are intended to printing copies using special historical techniques (particularly by means of oil-print and gummi-print). Special part of the workshops will be devoted to working with the commercial liquid gelatine silver bromide emulsion.
It is assumed that the participants will use their own large format negatives (common processing). It is possible to use the negatives that were prepared via chemiography or via photogram as well. The positive photographic materials (oil-print and gummi-print) will be prepared by participants themselves by covering the sensitive emulsion on the graphic papers.
In a case of working with the photographic emulsion the attention will be paid to the gellages and especially to transferring gelatine silver photographic images on the various (/nonstandard) substrates.
Mode of study
Extent: 3 weekends. The schedule will be sent to students at the beginning of the semester.
Prerequisites and co-requisites
No prequisities.
Course contents
The workshops are intended to printing copies using special historical techniques (particularly by means of oil-print and gummi-print). Special part of the workshops will be devoted to working with the commercial liquid gelatine silver bromide emulsion.
It is assumed that the participants will use their own large format negatives (common processing). It is possible to use the negatives that were prepared via chemiography or via photogram as well. The positive photographic materials (oil-print and gummi-print) will be prepared by participants themselves by covering the sensitive emulsion on the graphic papers.
In a case of working with the photographic emulsion the attention will be paid to the gellages and especially to transferring gelatine silver photographic images on the various (/nonstandard) substrates.
Recommended or required reading
To be determined
Assessment methods and criteria
The condition of successful completion of the workshops is at least 60% attendance and handover of two works at a common exhibition.
Note
none
Further information
Course may be repeated
No schedule has been prepared for this course