Photogram

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
307MFG Z 3 50S English, Czech winter

Subject guarantor

Name of lecturer(s)

Learning outcomes of the course unit

Students acquire knowledge in the use of diverse material for lighting with potential movement of the object in exposition and the use of non-standard materials. Students learn to work with a large amount of potential materials but not damage them and to consolidate and properly use them.

Mode of study

Module instruction by French photographer Marc Bellini

Prerequisites and co-requisites

there are no other requirements

Course contents

This module focuses on working with a photogram. In the first phase the students will be acquainted with the history of photogramming and with the creators who used this technique. On the demonstrations of their photograms we will analyze various possible approaches and we will try to develop them into their present form. A common task is to produce a 10-meter-long photogram from the role of barytte paper. The practical part will take place in Beroun Studio for several days.

Recommended or required reading

Filipacchi - Man Ray, Eric Losfeld Man - Ray, Haus Andreas - Moholy Nagy: photographs and photograms, Kénemann -André Kertézs

French photographer Marc Bellini will present his works on Wednesday 22Nov 2017 at 7pm room U1.

Assessment methods and criteria

Students will get credit on the basis of active participation in the preparation of the photogram, the originality of access to this issue and the mastering of the basic technological procedures.

Note

Curriculum vitae

Marc Bellini born in 1966, is a French artist who lives in Paris and works since 1999 within the teaching staff of the photo-video workshop of the École nationale supérieure des arts décoratifs with which he is awarded a diploma. He is also a holder of a Masters degree of cinema of Paris I sorbonne. His work conjugates the photographic form questioned as so many ramparts in the time, whether it is in the form of herbariums and photos. Far from exploiting them as scientific tools, he attempts to question the report of each in the time in the tracks which he leaves, the memories which he makes, the identity which weaves.Marc Bellini plays with the codes of his predecessors such the photographic works of the botanist Anna Atkins, the photogram and the photobooth expensive to the Surrealists, he questions, questions the history. Marc Bellini was invited to cooperate with FAMU and Classic Photography Studio to coordinate a workshop which will be focus on quot;Photogram" and cultural fusion.

Further information

No schedule has been prepared for this course

The subject is a part of the following study plans