Graphic Design and Photography 3

Zobrazit rozvrh

Garant předmětu

Štěpánka ŠIMLOVÁ

Jméno vyučujícího (jména vyučujících)

Jakub ŠTĚPÁNEK

Výsledky učení dané vzdělávací složky

Students are already equipped with some experience from previous years in the course Graphic Design and Photography 3. They know the software and know the basic rules of graphic design. The main focus of the seminar therefore aims to find an adequate form in relation to the chosen topic, using elementary material possibilities. The purpose of such an assignment is the usability of the outputs to articulate one's own attitudes. At the same time, some restrictions can become enrichment. When using the cheapest reproduction technology, one has to think even more when choosing material, editing photos, finding a clever binding solution, or interesting sheet folding.

Forma studia

Teaching in the seminar takes the form of individual consultations, presentation of examples and explanation of work in the software.

Předpoklady a další požadavky

The prerequisite is the seminar Graphic Design and Photography 2

Obsah kurzu

• Search for an adequate form in relation to the topic

• Image and text synthesis

• Artistic expression of typography

• Loose composition / grid system

• Specific sheet folding, non-traditional ways of binding

• Use of low-cost reproduction technologies

• Combining work with InDesign, Illustrator, Photoshop, and Acrobat

Output: Mockup of non-commercial fanzine

Doporučená nebo povinná literatura

Technique:

ANTON, Kelly Kordes, DEJARLD, Tina, eds. Adobe InDesign CC Classroom in a Book. Indianapolis: Pearson Education, 2019. ISBN 978-0-13-526215-3

FELICI, Jim. The Complete Manual of Typography: A Guide to Setting Perfect Type. Indianapolis: Pearson Education, 2011. ISBN 978-0-321-77326-5

SAMARA, Timothy. Design Elements: A Graphic Style Manual. Rockport: Rockport Publishers, 2007. ISBN 978-1-59253-261-2

Inspiration:

HROCH, Miloš. Křičím: „To jsem já.“ Praha: PageFive, 2017. ISBN 978-80-270-2942-6

BAUR, Ruedi, BOOM, Irma, GOGGIN, James, eds. Area 2. London, New York: Phaidon Press, 2008. ISBN 978-0-7148-4855-6

BEEKE, Anthon, BELL, Nick, CATO, Ken, eds. Area. London, New York: Phaidon Press, 2003. ISBN 978-0-7148-4325-4

BROUSIL, Tomáš, DOČEKALOVÁ, Petra, eds. Typo 9010: Czech Digitized Typeface 1990–2010. Praha: BiggBoss, 2015. ISBN 978-80-906019-5-6

TWOPOINTS.NET, ed. Pretty Ugly: Visual Rebellion in Design. Berlin: Gestalten, 2012. ISBN 978-3-89955-423-6

BOSÁK, Petr, JANSA, Robert, eds. Proto: Grafický design a současné umění. Praha: tranzit.cz, Vysoká škola uměleckoprůmyslová v Praze, Quick brown fox jumps over the lazy dog, 2013. ISBN 978-80-87259-22-1, ISBN 978-80-86863-60-3, ISBN 978-80-905691-0-2

SELBY, Aimee, ed. Art and Text. London: Black Dog Publishing, 2009.

ISBN 978-1-906155-65-0

Pages:

fontsinuse.com

trendlist.org

typographicposters.com

picto.cz

mindsparklemag.com

crapisgood.com

posterzine.com

superpaper.de

History:

AYNSLEY, Jeremy. A Century of Graphic Design. New York: Barron’s Educational Series, 2001. ISBN 0-7641-5324-2

HOLLIS, Richard. Graphic Design: A Concise History. London: Thames & Hudson, 2014.

ISBN 978-0-500-20347-7

Hodnoticí metody a kritéria

Evaluation:

Winter semester – classified credit

Summer semester – exam

The subject of evaluation is submission of the final file, printed model, or photo documentation of the realized project. The creative invention is evaluated, as well as the technical processing of the document.

The prerequisite for granting credit is regular attendance at the seminar.

Poznámka

No notes

Rozvrh na zimní semestr 2019/2020:

• Týdenní přehled
• Seznam

Rozvrh na letní semestr 2019/2020:

Rozvrh zatím není připraven

Předmět je součástí následujících studijních plánů

• Fotografie EN - bakalář-1920 (povinný předmět)