Documentary: Connection Course
| Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
|---|---|---|---|---|---|
| 311DOCC | ZK | 2 | 24S | anglicky | zimní |
Garant předmětu
Jméno vyučujícího (jména vyučujících)
Výsledky učení dané vzdělávací složky
Students will encounter and come to understand the complex issues of dealing with reality and with its representation, as they occur in the various stages of (documentary) filmmaking.
Forma studia
lecture
Předpoklady a další požadavky
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Obsah kurzu
This course is focused on exploring documentary cinema within its broad range of artistic and rhetorical methods toward representing reality -- from both a theoretical and empirical standpoint. At its foundation, the course will consider the theoretical approaches of Nichols, Bruzzi and Gauthier within the context of theories of representation (mostly Jost).
Apart from screenings and subsequent reflections, the course will also include 4 small practical exercises with the purpose of examining documentary principles (technical brilliance of the resulting films will not be important, as students will often use with their mobile phones or small cameras).
Each session will consist of an introduction, a screening and a discussion of selected films, organized either historically, or in accordance with considered modes of documentary filmmaking: poetical, expository, observational, interactive, reflexive, performative. Four sessions will also include the screenings and reflections of the students’ practical exercises.
Course Content:
- Modes of representation (reality – fiction – game/); documentary modes; initial screening
- Poetical mode + screening; submission of 1st practical exercise and final exercise
- Screening of 1st practical exercise and discussion; poetical mode cont. + screening
- Expository mode + screening + discussion;
- Observational mode + screening + discussion
- Interactive mode + screening + discussion; discussing second exercise projects
- Discussing second exercise projects; screening for inspiration connected with second exercise
- Reflexive mode + screening + discussion
- Performative mode + screening + discussion
- Screening of second exercise project and discussion
Doporučená nebo povinná literatura
Bill Nichols: Introduction to Documentary film (1991)
Stella Bruzzi: New Documentary: A Critical Introduction (2000)
Guy Gauthier: Le Documentaire, un autre cinéma (1999)
Erik Barnow: Documentary - A History of Non-Fiction Film (first: 1974)
Hodnoticí metody a kritéria
1 practical excersise, final colloquim, attendance
Poznámka
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Rozvrh na zimní semestr 2019/2020:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Datum | Den | Čas | Vyučující | Místo | Poznámky | Č. paralelky |
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| Čt | 15:40–18:55 | Vít JANEČEK | Učebna 5 (FAMU) Lažanský palác |
přednášková par. 1 |
Rozvrh na letní semestr 2019/2020:
Rozvrh zatím není připraven
Předmět je součástí následujících studijních plánů
- Fotografie EN - bakalář-1920 (volitelný předmět)
- Fotografie EN - magistr-1920 (volitelný předmět)
- Cinema and Digital Media - Directing-1819 (volitelný předmět)
- Cinema and Digital Media - Directing_1920 (volitelný předmět)
- Cinema and Digital Media - Screenwriting-1819 (volitelný předmět)
- Cinema and Digital Media - Screenwriting_1920 (volitelný předmět)