Body in Motion 1
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 202ETP1 | Z | 2 | 2T | English | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
The aim is defined by the course subtitle: The body as an instrument, to recognize one's body as a means of communication.
Mode of study
Contact instruction, recorded sample analysis, group work.
Prerequisites and co-requisites
- Elementary movement skills.
- Creativity.
- Feeling for rhythm.
Course contents
Anatomy in movement:
Based on theory knowledge and subsequent partner manipulations, researching the human body as a system of joints and bones. Awareness of anatomy and neurology based on experience are integrated and become greater awareness, employable for the discovery of new movement material which may be effectively used. To help understand one's body, learn it, use it properly, save energy and avoid injury and stress.
Surface, touch:
Working with the intimate space of the human body, sensitizing the skin surface, reacting to touch. Touch as a bearer of information in various qualities, ex: drifing across the skin surface with a touch, resisting touch, internal mass, entrusting body weight to touch. Subsequent research into the potential which these qualities bring to movement interaction.
Mass, internal space:
Working with internal space; its quality, with states, with density, viscosity, changing quality of internal mass. Based on physical changes in one's mass in the internal space we discover a change in the quality of the movement of one's body, changes in emotion and subsequently changes in communication in the movement interaction.
Construction, bones:
Bones as the basic architecture of the human body; solid structure which supports it and simultaneously protects soft tissue.This is an inseparable element taking part in movement. Based on changes in one's observations and intentions we uncover those layered changes in the movement of one's body in a movement interaction.
Recommended or required reading
BLAHUTKOVÁ, Marie. Psychomotorika. Brno: Masarykova univerzita, 2003. 92 s. ISBN 80-210-3067-4.
JOHNSON, Don Hanlon. Bone, Breath, & Gesture - Practices of Embodiment. Berkeley, CA: North Atlantic Books, 1995.
KRÖSCHLOVÁ, Eva. Jevištní pohyb: Herecká pohybová výchova. 2., dopl. vyd. Praha: AMU, Divadelní fakulta, katedra autorské tvorby a pedagogiky, 1998. 240 s. ISBN 80-85883-32-5.
---. Ladění: Psychosomatická příprava k výuce herectví. Praha: DAMU, 1998. 78 s. ISBN 80-85883-38-4
KRÖSCHLOVÁ, Jarmila. Nauka o pohybu: Odborný učební text pro pedagogy tance. Praha: Státní pedagogické nakladatelství, 1974. 144 s.
---. Výrazový tanec. Praha: Orbis, 1964. 262 s., 40 s. příl.
KRÖSCHLOVÁ, Jarmila; KRÖSCHLOVÁ, Eva. Výrazový tanec: Taneční tvorba. Praha: IPOS-ARTAMA, 2002. 194 s. ISBN 80-7068-106-3.
KURKOVÁ, Libuše. Dětská tvořivost v hudbě a pohybu. Praha: Státní pedagogické nakladatelství, 1981. 104 s.
POLZEROVÁ, Eva. Pohybová průprava jako součást dramatické výchovy: (Průprava dětí mladšího školního věku). Praha: ARTAMA-IPOS, 1995. 24 s. ISBN 80-7068-068-7.
Assessment methods and criteria
Class and workshop participation, on-going written reviews.
Schedule for winter semester 2019/2020:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Tue | 11:00–12:30 | Jiří LÖSSL | Velký sál Karlova 26, Praha 1 |
parallel1 |
Schedule for summer semester 2019/2020:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Authorial Acting (B.A.) (optional subject)
- Authorial Acting in English (M.A.) (required subject)
- Authorial Acting - 2 years (M.A.) (optional subject)
- Authorial Acting (B.A.) (optional subject)