Intuition as Instrument 1

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
307MIAI1 Z 2 4/D English winter

Subject guarantor

Name of lecturer(s)

Learning outcomes of the course unit

Through editing, individual and group meetings, an analysis will be the base of a process that should strengthen the individual student towards creating and self-awareness towards the work.

Mode of study

The course will be conducted both with individual presentation and coaching as well as in groupform. Works and ideas shall be formed according to the strategies presented within the course.

Prerequisites and co-requisites

none

Course contents

Albert Grøndahl WORKSHOP: Intuition as Instrument

The workshop will depart from the idea of using intuition as an instrument and the development

of a personal artistic approach and narrative. We will push the idea of life and

surroundings as a jumping board towards creating art.

We will base our methods of uniting simple things and emotions, the close layers of

everyday life, and through awareness, make them independent, individual and universal through an artistic practice, using photographic method and strategy.

We will not try implement a certain genre.

Im interested in applying a photographic strategy for the workshop, but furthermore to demonstrate the variety of shapes this can be expressed within.

What we will, is to train the vision build upon intuition, to be able to construct

an idea based of not separating life and work but instead let the two feed each other

towards the creation of a personal narrative of the individual students work.

I wish to push the individual narrative for each student, to feed the main interest of the

individual work will be my job during our workshop. Projects in progress, new ideas or upcoming

projects are all welcome to be included within the class.

FOR THE FIRST MEETING ON

MONDAY 26.11.18. 10:00 o´clock

Than according to schedule

Recommended or required reading

none

Assessment methods and criteria

Each student has to be present and active paricipate during the workshop. Works and proces shall be presented during workshop.

Note

Albert Grondahl b.1985 is centered around photographic strategies, yet his work is balancing interdisciplinary using different methods of re-presentation. His recent work departs from a theoretical point of view conveying works with strong historic significance by challenging the artist role a cultural observer, and point of exchange.

studio@albertgrondahl.com // http://www.albertgrondahl.com/ +45 30 43 32 14

Further information

Course may be repeated

No schedule has been prepared for this course

The subject is a part of the following study plans