Dialogical Acting with the Inner Partner
Subject is not scheduled Not scheduled
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 204PUDA | Z | 2 | 28CS | English |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
In the field of skills (K), the student:
- analyzes mutual relations between theoretical and practical aspects of studies as well as makes use of that knowledge for own artistic development while creating project P_K2
In the field of skills (S), the student:
- is able to recognize her/his own skill needed for realization of individual artistic work PS1, PS4
- is prepared to co-operate and co-act with other people as a team worker, develops her/his empathy PS6, PS7
- is able to use her/his own life experience and feelings for her/his artistic concepts PS8, PS9, P_S10
In the field of social competencies (SC), the student:
- possesses an ability of self-discovery, self-acquaintance, self-acceptance and self-actualization PSC1, PSC3, PSC4, PSC6
Mode of study
Exercise
Prerequisites and co-requisites
Creativity, analysis and critical skills.
Course contents
Dialogue behaviour with an internal partner is a physical-mental discipline whose creator is Prof. Ivan Vyskočil. Largely this can be:
- a path to self-discovery, self-acquaintance, self-acceptance and self-actualization.
- creation of the physical-mental condition for creative communications „conductive“ empathy.
- experience, recognition and study of drama acting principles
- experience, recognition and study of non-subject acting
- a path to understanding, „embodiment“ and realization of defined challenges, questions, defined tasks, texts.
- method of trying, searching, perceiving, being attentive and finding.
A mental-physical discipline created by Prof. Ivan Vyskočil. The foundation is experience and trials in behaviour (speaking, acting) with oneself (with an internal partner), in principle, alone - self-dialogue. To learn authentic, spontaneous, acting and interplay behaviour (behaviour and experience) and produce publically in situations of „public aloneness“ (Stanislavsky), with the presence and attention of „the audience“. In situations when - that is if - friends, observers are not there and the exclusion of visual and tactile contact.
Recommended or required reading
Buber, Martin: I and Thou
Fink, Eugen: Oasis of Happiness: Thoughts toward an Ontology of Play
http://www.ivanvyskocil.cz/html/english.html
Vyskočil, Ivan a kol. Dialogické jednání s vnitřním partnerem. Brno: JAMU 2004. (Zde i další doporučená literatura.)
Assessment methods and criteria
Credit is awarded primarily based on one's experience in the classes of dialogue negotiations. A condition for successful completion of the course is two written reviews per semester. As well, an acquaintance with the recommended literature is required.
Further information
No schedule has been prepared for this course