Graphic Design and Photography 4

Display Schedule

Subject guarantor

Štěpánka ŠIMLOVÁ, Jakub ŠTĚPÁNEK

Name of lecturer(s)

Jakub ŠTĚPÁNEK

Learning outcomes of the course unit

Seminar Graphic Design and Photography 4 continues to deepen the previous experience and skills of this art activity. In today's world, a data carrier and its packaging can represent a surrogate artifact for creative disciplines whose outputs often do not have a physical form. Due to the artistically oriented study program, this medium points to one of the other ways of presenting or distributing a work of art. By appropriately selecting the visual elements used on the cover and the attached booklet, students can learn to present the context of the content that the medium hides.

Mode of study

Teaching in the seminar takes the form of individual consultations, presentation of examples and explanation of work in the software.

Prerequisites and co-requisites

Completion of Graphic Design and Photography 3 is required.

Course contents

• Application of visual elements to all parts of the carrier (cover, booklet, medium itself)

• Linking an online presentation with a promotional print

• Finding a suitable visual language for expressing content

• Rhythmization of printed matter, gradation, artistic accent

• Layout settings

• Typesetting texts

• Booklet solution options, types of links and folding

• Storytelling

• Combining work with InDesign, Illustrator, Photoshop, and Acrobat

Recommended or required reading

Technique:

ANTON, Kelly Kordes, DEJARLD, Tina, eds. Adobe InDesign CC Classroom in a Book. Indianapolis: Pearson Education, 2019. ISBN 978-0-13-526215-3

FELICI, Jim. The Complete Manual of Typography: A Guide to Setting Perfect Type. Indianapolis: Pearson Education, 2011. ISBN 978-0-321-77326-5

SAMARA, Timothy. Design Elements: A Graphic Style Manual. Rockport: Rockport Publishers, 2007. ISBN 978-1-59253-261-2

Inspiration:

BAUR, Ruedi, BOOM, Irma, GOGGIN, James, eds. Area 2. London, New York: Phaidon Press, 2008. ISBN 978-0-7148-4855-6

BEEKE, Anthon, BELL, Nick, CATO, Ken, eds. Area. London, New York: Phaidon Press, 2003. ISBN 978-0-7148-4325-4

BROUSIL, Tomáš, DOČEKALOVÁ, Petra, eds. Typo 9010: Czech Digitized Typeface 1990–2010. Praha: BiggBoss, 2015. ISBN 978-80-906019-5-6

TWOPOINTS.NET, ed. Pretty Ugly: Visual Rebellion in Design. Berlin: Gestalten, 2012. ISBN 978-3-89955-423-6

BOSÁK, Petr, JANSA, Robert, eds. Proto: Grafický design a současné umění. Praha: tranzit.cz, Vysoká škola uměleckoprůmyslová v Praze, Quick brown fox jumps over the lazy dog, 2013. ISBN 978-80-87259-22-1, ISBN 978-80-86863-60-3, ISBN 978-80-905691-0-2

SELBY, Aimee, ed. Art and Text. London: Black Dog Publishing, 2009.

ISBN 978-1-906155-65-0

Pages:

fontsinuse.com

trendlist.org

typographicposters.com

picto.cz

mindsparklemag.com

crapisgood.com

posterzine.com

superpaper.de

History:

AYNSLEY, Jeremy. A Century of Graphic Design. New York: Barron’s Educational Series, 2001. ISBN 0-7641-5324-2

HOLLIS, Richard. Graphic Design: A Concise History. London: Thames & Hudson, 2014.

ISBN 978-0-500-20347-7

Assessment methods and criteria

Evaluation:

Winter semester – classified credit

Summer semester – exam

The subject of evaluation is submission of the final file, printed model, or photo documentation of the realized project. The creative invention is evaluated, as well as the technical processing of the document.

The prerequisite for granting credit is regular attendance at the seminar.

Note

Result: Cover and booklet for a data carrier

Schedule for winter semester 2020/2021:

The schedule has not yet been prepared

Schedule for summer semester 2020/2021:

• Week view
• List

The subject is a part of the following study plans

• Photography EN - Bachelor-1920 (required subject)