Portfolio – NET – Czech centre Paris, French Institue, Photo Saint Germain Paris

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
307MPNCC Z 1 3P English, Czech summer

Subject guarantor

Name of lecturer(s)

Learning outcomes of the course unit

Better orientation in the gallery and commercial sphere, better options in finding the employment

Realisation of the cooperation and exhibition with the foreign institution

Mode of study

in person

Prerequisites and co-requisites

art portfolio and intention ready for consultation

Course contents

Preparation of art and professional portfolios, meeting the professionals from the art and commercial sphere. Consultations of the concrete intention - see the assignment - associated materials:

NetGallery is designed as an experimental and discursive platform that invites Czech and French artists to discuss through visual language inside the new exhibition space of the Czech Center in Paris. This meeting opens the possibility of sharing the emotions and visions of young generations about today's society. The program is based on the opening of a new exhibition space, a meeting place, dialogue and the discovery of the spatial and contextual possibilities of the Czech center. The outputs of the first year of the exhibition cycle will be presented during the autumn and spring seasons (2020–2021) through a series of exhibitions and activations in the form of performances, concerts, discussions or a workshop at the Czech Center in Paris. At the end, the group exhibition will take place at the French Institute in Prague.

Recommended or required reading

Anna-Kaisa Rastenberg - Iris Sikking (eds.), Why Exhibit? Positions on Exhibiting Photographies. Amsterdam: Fw:Books - Helsinki: University of the Arts 2018.

Francois Bovier - Adeena May (eds.), Exhibiting the Moving Image. Zurich: JRP/Ringier - Dijon: Les presses du reél 2015.

Alessandra Mauro (ed.), Photoshow: Landmark Exhibitions that Defined the History of Photography. London: Thames & Hudson 2014.

Tamara Trodd (ed.), Screen/Space: the Projected Image in Contemporary Art. Manchester: Manchester University Press 2011.

Lucy Steeds (ed.), Exhibition. Cabridge, Mass.: The MIT Press 2014.

Shirley Read, Exhibiting Photography: A Practical Guide to Displaying Your Work. Oxford: Focal Press 2013.

The Fashion Business Manual https://fashionary.org/products/fbm#

Hans Ulrich Obrist Interviews https://www.amazon.com/Hans-Ulrich-Obrist-Interviews-Vol/dp/888158431X

David Korecký, Médium kurátor, https://www.kosmas.cz/knihy/149250/medium-kurator/

Assessment methods and criteria

Active present, taking part on the portfolios review, updated portfolio

Note

CV of the lecturers:

Tomáš Souček - Životopis Fotograf. V roce 2006 absolvoval obor fotografie na Filmové a televizní fakultě Akademie múzických umění. Během studia byl na roční stáži na Royal Academy of Art, Den Haag Holandsko. Věnuje se fotografii architektury, designu a uměleckých děl. Spolupracuje s předními českými architekty a umělci, s galeriemi a kulturními institucemi. Se svou volnou tvorbou se účastní výstav v Čechách i v zahraničí. Publikoval např. v knihách Domy z meziprostoru, Naturalia - sbírky bez hranic, Forma následuje risk, František Bílek a kniha.

Michelle Adlerová

Photographer, Creative Director, Art Director, Ideamaker, Copywriter, Artist, Curator, Creative Consultant, Graphic Designer, Teacher, Member of the Art Group Pode Bal

Further information

No schedule has been prepared for this course

The subject is a part of the following study plans