Feature Screenwriting 3
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 311FESC3 | Z | 2 | 3T | English | winter |
Subject guarantor
Name of lecturer(s)
Learning outcomes of the course unit
By the end of the workshop students should reach several tangible benchmarks in the course of successfully completing the first draft of their feature lengths scripts (Feature Screenwriting Project II)
In general terms, the course goal is also for students to achieve a better understanding of the work necessary to complete a feature-length screenplay. Ideally, students will leave the course with a solid foundation for further development of their script, and in the case of the directing students, the first step toward their feature directing debut following graduation.
Mode of study
Workshop
Prerequisites and co-requisites
Feature Screenwriting 2
Course contents
In this writing workshop student screenwriters will continue with the Feature Film Project from semesters one and two, and complete the first draft of a feature length screenplay. This small interactive workshop will include students from the 3 rd year of the directing program.
Recommended or required reading
READINGS:
To supplement lectures and informal class discussions, students are recommended to read the following during the semester:
Strongly recommended readings:
The Poetics by Aristotle - Analysis and definition of the dramatic form, as well as proscriptive, practical advice for the dramatic writer. The eternal discussion between scriptwriters and the critics who strive to help them all starts here.
The Tools of Screenwriting by David Howard and Edward Mabley. Short and simple. Deceptively easy to read yet loaded with practical advice derived from the Frank Daniel method.
Recommended readings:
Adventures in the Screen Trade by William Goldman ? Fun to read, the ultimate insider?s look at the life of a Hollywood screenwriter.
Story by Robert McKee - An impassioned polemic for scriptwriters and filmmakers to focus on classic dramatic principles in the service of - what else - a telling a story.
The Writer?s Journey: Mythic Structure for Storytellers and Screenwriters by Chris Vogler. Before Story, The Writer?s Journey was the must-read book for writers and development people in the US film industry. Inspired by the influential ideas of Joseph Campbell.
Making a Good Script Great by Linda Seeger, PhD. Another articulate and illuminating perspective on screenwriting from a highly regarded Hollywood script consultant.
Assessment methods and criteria
Commitee review on script.
Note
No
Schedule for winter semester 2020/2021:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Mon | 12:20–13:55 | Jan FLEISCHER | Room No. 2 Lažanský palác |
on-campus | parallel1 |
Schedule for summer semester 2020/2021:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Cinema and Digital Media - Directing_1920 (required subject with the possibility of repeat registration)
- Cinema and Digital Media - Directing 2020 (required subject with the possibility of repeat registration)