Physicality on the Stage

Předmět není vypsán Nerozvrhuje se

Garant předmětu

Jméno vyučujícího (jména vyučujících)

Výsledky učení dané vzdělávací složky

In the field of knowledge (K), the student:

• analyzes and investigates mutual relations between theoretical and practical aspects of studies as well as makes use of that knowledge for own artistic development while creating project of “small theatrical from” P_K2
• gets acquainted with the possibilities of physical techniques, theatre of object and other means of artistic expression and theatre of live form; adjusts elements to own project P_K5

In the field of skills (S), the student:

• develops own artistic personality; creates, realizes and expresses own artistic concepts P_S1
• improves skills needed for their realization during rehearsals P_S9

In the field of social competencies (C), the student:

• improves the skill of effective communication and living in society, which especially concerns group work, negotiating, organizing, integrating with others while working on a joint project P_SC6

Forma studia

Exercise

Předpoklady a další požadavky

Physical and mental fitness.

Obsah kurzu

The course offers opportunity to search a way of thinking about body and material, as elementary base for creation theatre performance where story, theme or situation is not being interpreted by words, but the actor makes effort to use his body (movement, rhythm, breath, voice) and scenographic material (object, puppet, material) to create a structured expression, that communicates with audience. Two elementary constants of this kind of structured expression are body and material.

In these classes the relationship of space to the subject is consolidated and a path is forged to systematic work on oneself. These are the principles: regularity, sufficient intensity, well-thought in physical investment and concentration. An understanding of the relationship of mind-body methods with the work of a performer. Learning, not only movement, but also other artistic techniques. Creation of the basic concepts of the structure and function of one's body (creation of one's concept of the body, one's performance in a space).

Doporučená nebo povinná literatura

Kyliánova Foundation: Recordings of prominent artists' performances which link acting with movement or dance.

Anne Bogart, Tina Landau: Viewpoints

Eugenio Barba, Nicola Savarese: A dictionary of theatre anthropology : the secret art of the performer

Kroschlová Eva, Jevištní pohyb, Divadelní fakulta AMU, Praha 2003

Payneová H., Kreativní pohyb a tanec, Praha 1999

Hodnoticí metody a kritéria

Credit is awarded for participation in class (80% attendance).

Další informace

Pro tento předmět se rozvrh nepřipravuje

Předmět je součástí následujících studijních plánů